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Bachelard, G.의 상상력 원리를 적용한 발레수업이 무용창의성 개발에 미치는 영향

Research on dance creativity: application of Gaston Bachelard’s principle of imagination on ballet lessons

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The purpose of this research is to evaluate the effectiveness and applicability of creative image training using Gaston Bachelard’s principle of imagination on participants’ dance creativity. A total of 17 dance majors from S University were enrolled and underwent 7 sessions of weekly creative image training during their traditional 16 weeks long ballet course. Dance creativity indicators that were obtained separately before and after the program were analyzed using R(version 3.3.0), with Wilcoxon’s Signed rank test and significance level of α=.05. The result is shown below. Creative image training sessions had a statistically significant impact on creativity indicator sub-groups, especially on the aesthetic expression among others. Thus, these sessions had a measurable positive impact on developing dance creativity. First, creative image training influences individuals’ artistic imaginative power and assists in capturing the structure of dance as a piece of work in artistic purity and originality, overall inspiring the participants of their dance creativity. Second, as part of dance education, image training can heighten aesthetic expression and sharpen artistic insight, transforming dance into a pure art form that is both approachable and valuable. Therefore, the principle of imagination may serve as a useful tool for dance creativity development, and dance majors’ continued interest and further academic research in this area should be encouraged.

Abstract

The purpose of this research is to evaluate the effectiveness and applicability of creative image training using Gaston Bachelard’s principle of imagination on participants’ dance creativity. A total of 17 dance majors from S University were enrolled and underwent 7 sessions of weekly creative image training during their traditional 16 weeks long ballet course. Dance creativity indicators that were obtained separately before and after the program were analyzed using R(version 3.3.0), with Wilcoxon’s Signed rank test and significance level of α=.05. The result is shown below. Creative image training sessions had a statistically significant impact on creativity indicator sub-groups, especially on the aesthetic expression among others. Thus, these sessions had a measurable positive impact on developing dance creativity. First, creative image training influences individuals’ artistic imaginative power and assists in capturing the structure of dance as a piece of work in artistic purity and originality, overall inspiring the participants of their dance creativity. Second, as part of dance education, image training can heighten aesthetic expression and sharpen artistic insight, transforming dance into a pure art form that is both approachable and valuable. Therefore, the principle of imagination may serve as a useful tool for dance creativity development, and dance majors’ continued interest and further academic research in this area should be encouraged.

참고문헌 (12)

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  2. 고현정, "무용언어의 기표, 기의 간극의 표현을 위한 연구방법론 고찰", 한국무용교육학회지, 27(1), pp.111~129 (2016), 한국무용교육학회
  3. 박영하, "교육학적 관점에 따른 창의성 개념 분석", 대한무용학회 논문집, 64(64), pp.119~133 (2010), 대한무용학회
  4. 박영하, "가스통 바슐라르(Gaston Bachelard)의 상상력 철학과 무용창의성", 대한무용학회 논문집, 70(3), pp.17~40 (2012), 대한무용학회[DOI]
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  8. 임광국, "K. Popper의 상상력 개념 고찰과 그 교육적 함의", 교육철학연구, 37(3), pp.155~175 (2015), 한국교육철학학회
  9. 장정윤, "무용의 상상력과 표현", 한국무용교육학회지, 26(4), pp.45~63 (2015), 한국무용교육학회
  10. 한혜리, "무용에서 이미지와 상상의 관계성 연구", 한국무용교육학회지, 16(2), pp.99~114 (2005), 한국무용교육학회
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  12. Susanne, K. L., "예술이란 무엇인가" (1982), 고려원

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