양간의 『시경』 주석 연구

Abstract

This article is intended to illuminate the characteristics of the composition and system of the CiHuShiChuan(慈湖詩傳), a commentary on the ShiJing(詩經) by Yang Jian(楊簡) of the Song(宋) Dynasty. In Korea, research on Yang Jian’s writings of Confucianism Classics is still lacking in terms of quantity and quality, and there is almost no systematic research on the CiHuShiChuan, so this article is a basic investigation on the CiHuShiChuan. The only existing version of the CiHuShiChuan was recorded in the Ming Dynasty, Yongle Daquan(永樂大全), followed by the Qing Dynasty Siku Quanshu(四庫全書). There are a total of 20 volumes of the CiHuShiChuan, and comments on 46 of the 305 poems have not been handed down, so all 259 comments are included. Although commentaries on 46 poems is not delivered, it is clear that the CiHuShiChuan was originally written for the purpose of systematic commentaries on all 305 poems in the ShiJing. In order to shed light on the characteristics of the CiHuShiChuan as a commentary, this thesis attempts to compare the writing called the ShiJingJiChuan(詩經集傳), a commentary on the ShiJing of Zhu Xi(朱熹), and the writing called the DuShiJi(讀詩記), a commentary on the ShiJing of Lu Zuqian(呂祖謙). Through this comparison, the present study confirmed that Yang Jian’s CiHuShiChuan attempts to compromise the Mao Shi(毛詩) and the Han Shi(韓詩), and shows a position of criticism and rejection of the Poem preface(詩序) of Mao Shi(毛詩) from the perspective of the study of Confucianism Classics. In addition, in the CiHuShiChuan, Yang Jian inherits the perspective of Lu Jiuyuan’s “Six Classics Annotate Me(六經注我)”, and insists the interpretation of poetry is based on poetry itself rather than the external factors of poetry, that is, the poet and the environment of the times. It suggests a position that attention should be paid to the inner mind of the poet who created the poem, especially the expression of the Dao Xin(道心).