근대 초기 문사의식과 예술가 형상의 상관성

Abstract

This paper has focused on the method that the literary men’s consciousness of male subjectivity in the early modern times called ‘illunism (philosophy of enlightenment)’ had specially conceptualized arts except for literature on the assumption that the literary men’s consciousness was unconscious power to make art(ist)’s notion of Joseon dynasty in the same times be gendered. The literary activities of literary men in the early modern times had conducted not the creation of a work within a limited scope but the whole of New Culture Movement. Firstly, such activities are closely related with the early return period of writers compared with other art genres. The period that music or art majors had regularly acted after their return was 1930’s, so the people who had introduced/created a new art concept Joseon instead of the musicians and artists in the initial stage of Modern were literary men. Several media in the early modern times had clearly shown these situation and circumstances. And the power of such literary activities had made modern musician and artist be gendered by expanding the denotation of literature. The theory of art supported by artist Min who is a character of a work 「The Pioneers」 written by Kwang-Soo Lee shows official and national art concept as reflecting the past scholars’ hobbies of paintings and writings which had been manly gendered. On the other hand, the music which had been womanly gendered reproduces the notion that a musician is same as a gisaeng(Korean geisha). 「Love & Guilt」 written by Sang-Seob Yom is the representative work showing such the reproduction of a notion. Such symbol of artists had been changed in 1930’s when the role of literature (literary men) had been reduced due to promotion of genre’s differentiation. But it needs continuous study and research hereafter because there has not been studied such changes.