근대시기 전통음악 장르용어에 관한 연구

Abstract

This paper studies some of the terminologies of traditional musical genres during and after the Japanese colonial period. Especially the paper traces the meaning of those terms based on newspaper and magazine articles of the time. The main body of this study could be divided into two: First, I looked at modern times the traditional genres of music with the occurrence of the change in terminology. Saw it again divided into two parts, one aspect according to the historical flow of the term genre and one saw a collective term for traditional music itself, Chosŏnak 朝鮮樂, koak 古樂 or kuak 舊樂 and kugak 國樂 of the deployment aspects. Second, the modern period examined individual aspects of the traditional music genre term. Aak 雅樂, chŏngak 正樂 and minsogak 民俗樂, etc. Here again it divided into two parts, in a broad sense as a genre term in a narrow sense as a ballad, song, kagŭk 歌劇 or ch'anggŭk 唱劇, p'ansori 판소리, a genre term was investigated. As considering the traditional genres of music in modern times, despite 50 years, a relatively short period of time, too many terms were generated and changed. Moreover, it was also found in modern times, the meaning of existed terms was changed into other meaning, new terms were made, and the using of some terms was ceased. Various terms were used, and the term was used across multiple genres. Settlers strongly going to western music because it was confusing and the main instruments of more foreign music as Western music and to distinguish themselves in order to be referred to the necessity that reason is because it was born. Also be attributed to modern music space, the type of performance, subjects of modern music education courses and the environment of music culture had been changed largely. Seen until now in modern times the term, however, there seems not to lock trend. In other words, the living creatures can be said to be the term. In addition, at least in the term ideology castle did not. So the term could point aak and sogak 俗樂 to distinguish the Chosŏn Dynasty, but today like chŏngak 正樂 and minsogak 民俗樂 divided the modern period of the term genre can be characterized.