현대시조, K-문학으로서의 가능성

Abstract

This study looked at all problems surrounding Modern Sijo and the problems of translation to examine the possibility of Modern Sijo as 'K-literature'. Although the newly invented and discovered "Modern Sijo" in the early modern period fell into the category of modern literature, it was established in the realm of classical literature, not in the realm of modern literature, because it had the pre-modern form of "external rhythm". This was caused by the presentation of "umsuyul(音數律)" with the beat of the music genre Sijochang(時調唱) to explain the rhythm of the Modern Sijo in the formative period of the Modern Sijo, and umboyul(音譜律)" was suggested to supplement it. However, the umboyul(音譜律) also has the risk of arbitrary interpretation, and the three-chapter structure and the longitudinal operation method of four-word repetition are the basis of the Sijo rhythm under the conditions of the umsuyul(音數律), umboyul(音譜律), and syntactic allocation. However, the special rhythm of these Modern Sijo cannot be shown in translation, but it can only be confirmed that the first line in "English Sijo" consists of about 15 syllables. Of course, because the syllables of the English Sijo are not negative in Korean, the Sijo eventually faced 'translational impossibility'. In response, this study tried to prove that the Modern Sijo is a literary genre specialized in Korean, and the strength and beat of Korean language contributed to the Sijo rhythm, going further from the rhythm theory of phoneme rate and phoneme rate that has been suggested. This study saw that the division of the joints is made by "semantic strength" within the syntactic group, and the formation of a value system creates a multilayered rhythm. However, keeping the formalities in the face of the ever-expanding and disintegrating spirit of modern times means keeping the rhythm expressed and embedded in a formal manner, which can be attributed to the uniqueness of the Korean language.