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Imported Heroes: A Comparative Study of the Novel Sanguozhi pinghua 三國志平話 and the Pansori Novel Hwayongdo 華容道

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주제분류한국어와문학

초록

A Chinese novel Sanguozhi pinghua, and a Korean novel Hwayongdo share striking similarities. Both are historical novels dealing with the Three Kingdoms Period in China. Both were written in contemporary vernacular Chinese and Korean respectively and have deep ties to oral literature of the time. Sanguozhi pinghua is the inspiration and the prototype of Hwayongdo and Sanguo yanyi, a work more widely-read than Sanguozhi pinghua itself, which provided Hwayongdo with its characters and narrative. This paper will analyze and address the characteristics and similarities visible in both novels, and I will argue that those similarities stem from the fact that they were composed in a similar context. Sanguozhi pinghua and Hwayongdo are the outcomes of convergent literary evolution, as they are written renditions of oral repertoire, re-created into novels.

Abstract

A Chinese novel Sanguozhi pinghua, and a Korean novel Hwayongdo share striking similarities. Both are historical novels dealing with the Three Kingdoms Period in China. Both were written in contemporary vernacular Chinese and Korean respectively and have deep ties to oral literature of the time. Sanguozhi pinghua is the inspiration and the prototype of Hwayongdo and Sanguo yanyi, a work more widely-read than Sanguozhi pinghua itself, which provided Hwayongdo with its characters and narrative. This paper will analyze and address the characteristics and similarities visible in both novels, and I will argue that those similarities stem from the fact that they were composed in a similar context. Sanguozhi pinghua and Hwayongdo are the outcomes of convergent literary evolution, as they are written renditions of oral repertoire, re-created into novels.

참고문헌 (14)

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  2. "1980", 7(2)
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  4. Idema, Wilt L., "Chinese Vernacular Fiction, the Formative Period" (1974), E. J. Brill
  5. Idema, Wilt L., "Some Remarks and Speculations Concerning ‘p’ing-hua", T’oung Pao, 60(1, pp.3) (1974), 121~172
  6. Jeong, Won-ki 정원기., (2000), Doseochulpan cheongyang 도서출판 청양
  7. 金震坤, "宋元 平話 硏究", 박사, 문학, pp.1996
  8. Kim, Ki-hyeong 김기형, (2000), Minsokwon 민속원
  9. 김기형, "판소리 <적벽가> 조조의 형상적 특징과 의미", 우리문학연구, (47), pp.7~32 (2015), 우리문학회
  10. Lee, Jeong-jae 이정재., (2014), Iljogak 일조각
  11. 李起?, "《화용도》의 성격과 변모 양상 고찰", 판소리연구, 14 (2002), 판소리학회
  12. "PhD", Korea University, 2016
  13. Yoo, Youngdai 유영대, (1990), Munhak Akademy 문학 아카데미

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