당대(唐代) 연유도기(鉛釉陶器)의 생산 및 수출 지역의 변화와 그 의미

Abstract

The Tang Dynasty was a period when three colors of pottery flourished based on the accumulated technology of lead glaze. Lead-glazed Stoneware of the Tang Dynasty was able to implement a variety of colors, unlike previous monochrome lead-glaze technology, and it was possible to combine more than three colors to maximize its magnificence. Tang sancai [the three-colored ware], which is the representative lead-glazed stoneware in tang dynasty became popular after the High Tang Dynasty in the middle of the 7th century. It was mainly used as a grave goods, but according to the excavation data it is confirmed that used in everyday life. According to today’s archaeological findings, the lead-glazed Stoneware of the Tang Dynasty was produced by several kiln sites, including both northern and southern part of China. Along with consumption in China, it has been widely exported to East Asia as well as Southeast Asia and West Asia and had been actively consumed. In this study, I wanted to introduce the research results of academia on the production, consumption and export of the Lead-glazed Stoneware in the Tang Dynasty, which was the main product of the Tang Dynasty, and examine related issues. In addition, plans to examine Overseas propagation and its meaning with the focus on the cases of excavated in Southeast Asia and Western Asia, which have been less noticeable than in East Asia. As a result, I was able to draw a few conclusions. On the basis of various excavation results, three-colored ware figure have already been produced on a large scale from Early Tang due to the lavish burial culture of the Tang Dynasty, This can be easily estimated through the Excavated article of the royal family tomb or high office tomb. on the other hands, it can be confirmed that sancai figures had been enjoyed among the upper middle class including non-official civilians by the excavations of zhongbaocun(中堡村) in Xi'an and Tomb of Zhang SiZhong(張思忠夫婦墓) in Henan province. However, after the middle of the 8th century An Lushan Rebellion(安史之亂,755~763), the production of magnificent three-colored ware was terminated and the production of green on white lead-glazed Stoneware became active. This is a new glaze colored pottery which is different from the three colored pottery of High Tang Dynasty. The three colored pottery of the High Tang Dynasty were mainly grave goods, but the 9th green on white lead-glazed Stoneware was close to a practical ware. It is interesting to note that the historical background that prompted the production of this green on white lead-glazed Stoneware was the trade with West Asia, that is to say Islamic empire, through the sea route since the late 8th century. In particular, the explosive growth of ceramic trade with Islam in the 9th century is consequently attributed to Tang’s attitude toward the Islamic market and its influence. This is not merely the export of lead glazed stoneware of Eastern to the Islamic world, It should be seen as the result of China's acceptance of the Islamic tastes.