극적몰입과정과 관객의 정서반응 연구-영화‘밀양’을 중심으로-

Abstract

A movie is the art of immersion. A subject of immersion is spectators and researches into them have been conducted for a long time. Especially, scholars Seymour Chatman and David Bordwell asserted 'the Narrative Delivery Model' and their bitter disputes show that the themes, they argued on, is indispensable. The spectators interact with characters, performing the movie, and they are acquired to experience the aspect of the Dramatic Immersion. The process is that the attendances are absorbed in the phrase of the Empathy from people of the stage and this Empathy gets connected with the Identification. However, the Identification is ephemeral and the process, which is generalized, can't maintain the Dramatic Immersion of people, taking a look at the moving picture. The moving picture, which is being screened, needs to have a considerable effect on the attendances whose Emotional Response Strength is impressed with scenes of the cinema, to keep the persistence of the Dramatic Immersion in them. To require that, four essential elements of audiences' feelings are imperative. First of all, more than two pieces of the Emotional Response Link should be indicated by the context of the cinema's scenes. Furthermore, the Emotional Response Effect must follow a principle of reciprocation. Thirdly, more than two pieces of the Emotional Response Completion have to be affected by a scene of the cinema. Finally, the audiences should be able to undergo the Mental Experience that is satisfied by three pieces of the Emotional Reaction of upper direction. The film "Secret Sunshine", which was created by a subject matter that we are visible in addition to not being visible suggests justification that four pieces of the Emotional Response Factor of the upside, which were discussed, are made concrete shape. To sum up, the film, which draws out the Audiences' Emotional Response and sustains the Dramatic Immersion, has potential to make a royal road and can become a masterwork.