<On the slopes> : 몽타주 방식의 변화에 따른 리얼리즘 인식의 유동성

Abstract

General problem concerned to realism provides artist with the clue to handle image-for reappearing and constructing reality as well as it provides theorist with the aesthetic consideration. The purpose of this study is to search how the particle of reality, which is captured by an enlightened artist, generates perceptional change of the recognition in post-production process and self-reflection of realism through montage, especially sound montage. The study will study how the motion captured by the camera following formal factor of realism and sequential and superficial configuration of time are organically constructed through the change of montage treatment method and it will consider how it changes the form of realism in the photographing process. The study tries to reconsider aesthetic consideration of customary realism and understand innovative flow of realism film by recognizing and contemplating the form of film caused by diegetic and non-diegetic insertion of sound montage.