영화의 의식의 흐름 기법과 사운드디자인의 양상

Abstract

Our mental state is formless, the flow itself is discontinuous and has no causal relationship. For this reason, it is hard to capture the moment when making a film about the inner state of mind. In order to express the inner state of mind, the Stream of consciousness technique is used as a cinematic device, and when this technique is applied in a film, more incidental events, which don’t seem very likely, are enumerated and preferred rather than a frame representing a logical relationship. Therefore, the narrative becomes meaningless and the typical mise-en-scene and montage are refused. However, discontinuous fragments are reproduced by editing, and dramatic flims and documentaries coexist. Above all, the Stream of consciousness in the flim becomes completed through creative sound design. The modalities of sound design in the Stream of consciousness technique appear as independent sound irrelevant to narrative, sound for space expansion, blank and silence to think, or used for a non-existent central event and experimental sound. Flim sound has been a key role in revealing the inner state of mind, transcending time and space, and focusing the whole structure of the film. The sound in the recent flims has been recognized for its importance since after experimenting with various possibilities that were not heard in the typical movies. The purpose of the study is to understand the artistic meaning of film sound and analyzes films deeply. And sound has been the basis for establishing aesthetics in films, however the films tend to have popular appeal and somewhat stimulating and entertainment. I hope that this study will be a help for filmmakers and audience to communicate about narrative unfolding according to the Stream of consciousness and enjoy aesthetic aspects of films.