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다큐멘터리의 매체적 특성에 관한 연구- 다큐멘터리 사진과 영화에 나타난 '프로파간다'를 중심으로 -

A Study of Documentary Properties as a Medium- Focusing on 'Propaganda' in Documentary Photography & Film -

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초록

In these days, the meaning of documentary is not cleary persuade to people because a word of documentary is variously extended and used much. So this problem of extended word of documentary, I would like to try redefine the meaning of documentary on photography and film with the 'documentum'. Also in this research, I try to fined both with a case study the problem of real objective even if documentary photography offered an objective information with 'documentum' and try to fined between common factor and a point of difference on film as another medium. This research, mainly focused and fined the relationship of propaganda with President Franklin D. Roosevelt's New Deal plan between F.S.A(Farm Security Administration) documentary photography and Lenin Riefenstahi's ocumentary film. It is important to search out propaganda especially photography and film because it still constantly operate and repeat in society, politic, religion, economy, etc with serious discussion.

Abstract

In these days, the meaning of documentary is not cleary persuade to people because a word of documentary is variously extended and used much. So this problem of extended word of documentary, I would like to try redefine the meaning of documentary on photography and film with the 'documentum'. Also in this research, I try to fined both with a case study the problem of real objective even if documentary photography offered an objective information with 'documentum' and try to fined between common factor and a point of difference on film as another medium. This research, mainly focused and fined the relationship of propaganda with President Franklin D. Roosevelt's New Deal plan between F.S.A(Farm Security Administration) documentary photography and Lenin Riefenstahi's ocumentary film. It is important to search out propaganda especially photography and film because it still constantly operate and repeat in society, politic, religion, economy, etc with serious discussion.

참고문헌 (16)

  1. 강현두, "현대 대중문화의 형성: 1920-30년대 미국의 대중문화 형성과 사회적 효과" (1998), 서울대학교 출판부
  2. 동중우, "영상이 보내는 오마주" (2002), 바움
  3. 마이클 래비거, "다큐멘터리" (1997), 지호
  4. 뷰먼트 뉴홀, "사진의 역사" (1990), 열화당
  5. 아더 로드 스타인, "다큐멘터리 사진론" (1997)
  6. 주형일, "사진(매체의 윤리학,기호의 미학)" (2006), 인영
  7. 토마스 소벅, "영화란 무엇인가" (1998), 거름
  8. 토비 클락, "20세기 정치선전예술" (2000), 예경
  9. 한상준, "영화에 대한 13가지 테마" (2007), 소도
  10. Pierre Bourdieu, "The Social definition of photography, In Visual culture: the reader" (1999), Publications
  11. Richard Bolton, "Introduction of the Contest of Meaning: Critical Histories of Photography" (1992), MIT Press
  12. William Stott, "Documentary Expression and Thirties America" (1973), Oxford University Press
  13. Peter Pollack, "The Picture History of Photography" (1969), Harry N. Abrams, Inc
  14. 반용기, "리얼리즘 문학과 다큐멘터리사진연구", 석사, pp.1999
  15. 정영혁, "기록으로서의 초기 다큐멘터리 사진에 관한연구", 4 (2003), 한국다큐멘터리사진학회
  16. 최봉림, "다큐먼트에서 예술로, 다큐멘터리초상과 풍경의 역사적 변모", 월간미술 (2001)

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