디지털시대 다큐멘터리 사진의 위기와 정체성의 확장
The Crisis of Documentary Photography and Expansion of Its Identity in Digital Age
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper focused on what to pay attention to and how to solve the ethical problems facing modern documentary photography in the digital age, where the distribution structure of photos through smartphones and SNS is greatly changing. This paper examines various attempts of modern documentary photography as an alternative to overcoming the fragmentation and decontextualization, outsider perspective, and formalization of photojournalism and examine its meaning. Through this, this paper examins how the identity of documentary photographs that fight to reveal the "truth" in the turbulent digital age can be maintained and changed.Manipulated photographs affect our perception and attitude toward an event. This is why reports after the incident should be accurate. This is because even readers with accurate information can change their perceptions and attitudes by distorted photos reported later. Documentary photographers must create a true relationship of 'consideration and care' with the person who is the subject of the photograph, and we who see the photograph must also strive to hear their true voices. Readers who see a picture of someone's pain must coexist in the same time as the person in the picture. The meaning of the powerful photograph can be deepened through the relationship between the individual's experience and the photographic image in the photograph. At that time, the meaning of the picture can be alive and breathing.
Abstract
This paper focused on what to pay attention to and how to solve the ethical problems facing modern documentary photography in the digital age, where the distribution structure of photos through smartphones and SNS is greatly changing. This paper examines various attempts of modern documentary photography as an alternative to overcoming the fragmentation and decontextualization, outsider perspective, and formalization of photojournalism and examine its meaning. Through this, this paper examins how the identity of documentary photographs that fight to reveal the "truth" in the turbulent digital age can be maintained and changed.Manipulated photographs affect our perception and attitude toward an event. This is why reports after the incident should be accurate. This is because even readers with accurate information can change their perceptions and attitudes by distorted photos reported later. Documentary photographers must create a true relationship of 'consideration and care' with the person who is the subject of the photograph, and we who see the photograph must also strive to hear their true voices. Readers who see a picture of someone's pain must coexist in the same time as the person in the picture. The meaning of the powerful photograph can be deepened through the relationship between the individual's experience and the photographic image in the photograph. At that time, the meaning of the picture can be alive and breathing.
참고문헌 (21)
- Bogre, Michelle, "Documentary Photography Reconsidered: History, Theory and Practice" (2019), Routledge
- Walter Benjamin, "The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media" (2008), Harvard University Press
- Dickens, Charles, "Tale of Two Cities" (2009), Penguin Classics
- Franklin, Stuart, "The Documentary Impulse" (2016), Phaidon
- Furstenau, M, "The Ethics of Seeing:Susan Sontag and Visual Culture Studies", Post Script, 26(2) (2007)
- Gierstberg, Frits, "Documentary now!:contemporary strategies in photography, film and the visual arts" (2005), NAi Publishers
- Guimond, James, "American Photography and American Dream" (1996), The University of North Carolina
- Ho, Dorothy, "After Afghanistan, Photojurnalism Slow Again", Photo District News(2002, 2002
- Linfield, S., "The Cruel Radiance:Photography and Political Violence" (2010), University of Chicago Press
- "Redefining Documentary Photography, special to Camera Works" (2000)[URL]
- Jan A. Nicolas, "Fake War Photographer Gets Exposed after Fooling the World", PetaPixel, ~ (2017)
- Rosler, Martha, "The Contest of Meaning: Critical Histories of Photography" (1989), the MIT Press
- Short, Maria, "Context and Narrative in Photography" (2019), Routledge
- Sontag, S., "Regarding the pain of others" (2003), Farrar, Straus & Giroux
- 김성민, "역사를 바꾼 사진들, 진실을 왜곡한 사진들", 신문과방송, ~ (2021)
- 김성민, "디지털 시대의 포토저널리즘의 대안으로 본 장기 프로젝트 (Long-term Project)에 관한 연구", 현대사진영상학회 논문집, 19(1), pp.5~21 (2016), 현대사진영상학회[DOI]
- 김성민, "경제 위기 상황기 다큐멘터리 사진으로서의 마이클 윌리엄슨의 작품 연구- 80년대 미국 중부 중산층 붕괴와 관련된 사진을 중심으로", 현대사진영상학회 논문집, 10, pp.87~99 (2007), 현대사진영상학회[DOI]
- Naudet, Jean-Jacques, "Is Photojournalism Dead?", American Photo, ~ (1996)
- Newton, J. H., "PHOTOJOURNALISM, Do people matter? Then photojournalism matters", Journalism Practice (2009)[DOI]
- Nicolas, Jan A. Nicolas, "Fake War Photographer Gets Exposed after Fooling the World", PetaPixel, ~ (2017)
- Stephen Mayes, "From Memory to Experience: The Smartphone, A Digital Bridge", ~ (2012)