乾隆帝의 ‘景觀經營’에 대한 고찰
A study on the Emperor Qianlong’s Landscape Management
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The purpose of this paper was to understand how Emperor Qianlong perceived the landscape. The imperial Qianlong tour created numerous landscapes and gave meaning. The perception of such a landscape was sufficient to change the conquistador image of Qianlong. Therefore, the attitude toward the landscape of Emperor Qianlong was called 'Landscape Management'. Emperor Qianlong changed the characteristics of the eight scenic spots. ‘Eight Scenic Views of the landscape’, which contained the unworldly view of the literary godfathers of the Song Dynasty, and ‘Eight Scenic Views of the landscape’, which was an ideology for national domination after the Jin Dynasty, changed during the emperor Qianlong. Eight Scenic Views of the Beauty Spot means that a landscape forms a beauty spot. This is because the geographical category of the landscape is narrowed and the number of sceneries is expanded to highlight the characteristics of each landscape, while strengthening the placeness and adding consolation and comfort functions. This strengthened the psychological effect by making the distance between the landscape and the viewer close. Through historical evidence of the existing landscape, poetry and paintings, the emperor Qianlong reconstructed the landscape, and built monuments and buildings in each landscape to take coordinates and promote the localization of the landscape. The emperor Qianlong pursued a "small landscape" nearby. The small landscape was thought to be sufficient to resemble the great universe. The inclusion of "the world" in the small landscape of the emperor Qianlong is in line with the strategy of "seeing the big through the small" as a national ruler. This political strategy is a governing logic and concept that runs from the "house" to the "state" of Confucianism, and it was believed that the individual's capabilities could be in charge of a huge "world." In addition, the idea that the "beautiful scenery" in the small mind of humans is endless and infinite out of the world is due to the influence of Buddhist logic. In conclusion, it can be said that the emperor Qianlong contributed to the redefinition and expansion of China's landscape culture.
Abstract
The purpose of this paper was to understand how Emperor Qianlong perceived the landscape. The imperial Qianlong tour created numerous landscapes and gave meaning. The perception of such a landscape was sufficient to change the conquistador image of Qianlong. Therefore, the attitude toward the landscape of Emperor Qianlong was called 'Landscape Management'. Emperor Qianlong changed the characteristics of the eight scenic spots. ‘Eight Scenic Views of the landscape’, which contained the unworldly view of the literary godfathers of the Song Dynasty, and ‘Eight Scenic Views of the landscape’, which was an ideology for national domination after the Jin Dynasty, changed during the emperor Qianlong. Eight Scenic Views of the Beauty Spot means that a landscape forms a beauty spot. This is because the geographical category of the landscape is narrowed and the number of sceneries is expanded to highlight the characteristics of each landscape, while strengthening the placeness and adding consolation and comfort functions. This strengthened the psychological effect by making the distance between the landscape and the viewer close. Through historical evidence of the existing landscape, poetry and paintings, the emperor Qianlong reconstructed the landscape, and built monuments and buildings in each landscape to take coordinates and promote the localization of the landscape. The emperor Qianlong pursued a "small landscape" nearby. The small landscape was thought to be sufficient to resemble the great universe. The inclusion of "the world" in the small landscape of the emperor Qianlong is in line with the strategy of "seeing the big through the small" as a national ruler. This political strategy is a governing logic and concept that runs from the "house" to the "state" of Confucianism, and it was believed that the individual's capabilities could be in charge of a huge "world." In addition, the idea that the "beautiful scenery" in the small mind of humans is endless and infinite out of the world is due to the influence of Buddhist logic. In conclusion, it can be said that the emperor Qianlong contributed to the redefinition and expansion of China's landscape culture.
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