동인지 『자유시』에 나타난 현실 대응 방식 연구

Abstract

This paper aims to analyze the orientation of poetic objective of 『Jayushi』(‘자유시’), a literary coterie magazine, which was mainly published on the 1970's. 『Jayushi』and 『Banshi』(반시) are representative poetry magazine on the 1970’s.In previous studies, mere poetic meaning was to be given 『Jayushi』 in the confrontation with the “Banshi. It means that『Jayushi』’s independent literary importance was difficult to find. It was just analyzed with long literary framework of ‘purity/ participation’. However, 『Jayushi』’s member told that they could not side with neither purity nor participation’. It is not appropriate to analyze poetic objective of 『Jayushi』with literary framework of ‘purity/ participation’. Therefore this paper aims to give independent literary importance to 『Jayushi』. 『Jayushi』 pursues to recover individuality. But the member’s poems do not directly shows emotion of poetic narrator, They only show scenary in the poems. Their poetry repeatedly shows ‘nature’scenary in their poems. Mountain, river, sky, sea, flowers, trees, birds, insects are repeatedly shown in member’s poetry. Specially, the small organics like ants, sea anemone, bunting, rain drops are starring in their poems, which shows nature’s great wonder. But they do not just ‘shows’ the nature in their poems. The nature in their poems is not raw nature, which is the projection of poet’s eyes. So nature in poems has literary intention. This intention is criticism on contemporary society, according to members. ‘Nature’ is poetic way used to resist social conflict and alienation resulted from industrialization in 1970’s. From the beginning, 『Jayushi』’s obvious purpose was individual freedom. They could not help resisting contemporary society’s problem because variety of social illness hurt individuality. Therefore pure nature in poems acts with the hope as a solution of the problem caused by urbanization. This ‘nature’ can be Space with the participation of active locomotion, not the motionless scenary. That is the grounds of overcoming literary framework of ‘purity/ participation’. 『Jayushi』 stops to publish magazine on the 1980’s. In the framework of ‘purity/ participation’ for 『Jayushi』, which pursues literary purity, It was difficult to keep up their writing. Literary participation was demanded on the 1980’s. But we have to find another reason of 『Jayushi』’s disperse. ‘Nature’ in their poems has its limits. ‘Nature’ is not current place but the space in poetic narrator's memories. The space of the past cannot resist to the current problem. The Poet remember nature as a beautiful place. But contemporary nature is the space destroyed by industrialization and urbanization. 『Jayushi』 members’ sense of resistance is not contemporary one because they can’t overcome the gap of memories and reality.