1970년대 문학 장과 시 동인지: 신감각 동인을 중심으로

Abstract

This paper examined the position of poetry coterie magazines in 1970’s literary field. It was originated from the fact that the number of poets and poetry coterie magazines have continuously increased in 1970s. Poetry coterie magazines have confronted the major literature clique. They insisted new literary ideology and independent style. This paper pays attention to Shingamgak. It is organized as a team of poets that recommended and debuted by Park Mok-Wol. The literary origin of Shingamgak was based on the idea of Park Mok-Wol and Shimsang(Image). The literary ideology of Shingamgak was traditional lyrical poems, pure literature theory and imagism. Its poetry can be summarized in three types. There are the early poems which expressed sorrow. The later poems described daily experiences and senses and developed the allegoric poetry. The early poems were moved with the sentimentality. It was understood as a crisis to begin differences of poetry and life. The later poems contained the self-consciousness of poetry and poet. It was a momentum to extend poem’s area into the everyday experience and sense. Allegoric poetry were created by the reflection on traditional lyrical poems and realism literature. Allegoric poetry criticized for contradiction of Korean society; problem of development and economic growth.