탈중심을 향한 이념적 실험의 기록 - 박태순 문학의 혼종성과 유동성 연구

Abstract

Since his debut in the late 1960s, Park Tae-soon has published a novel that uniquely describes the lives of marginalized poor people at the center of industrial development, including a series of works called ‘People in Oechon-dong.’ In the early 1970s, his interest expanded to the creation of Repo(reportage), which accused the city’s outskirts of the city, in <Warning of the Self-burning - The Eol(spirit) of Peace market tailor Jeon Tae-il>, and <Gwangju complex for four nights and five days>. Around this time, he repeatedly declared and reversed his novel, and in the late 1970s, he focused on the Third World Literature Translation and “The Council of Writers for Freedom and Practice” and played a central role in the publication and planning of “Silcheon-munhak”, launched in 1980. At this time, Park Tae-soon’s intention seems to have been deeply rooted in the internal text composition of the “Realistic Literature”, such as identifying himself as a member of the Third World Literary Movement, relocating the people to the center of history, restoring colonized land and language, and making the public’s face visible. In particular, in the case of “Mother”, which he named “Sasil-soseol”(Factual Novel) on the page of “Silcheon-munhak”, Park Tae-soon edited and collated articles published through various media, which are considered the result of concerns and experiments on liquid expansion and conception of the literary category. Meanwhile, Park Tae-soon published a series of ‘Exploration of Korea’ published in 1973 through the magazine “Generation”, followed by ‘National Land Trip’ in “Madang” from 1981 to 1982, and “Finding Korean Base Culture” and “Hometown of Thought” in “The monthly Joongang” from 1988 to 1990. Until the end of his writing career with human geography work based on his experience wandering across the country, he continued his crazy literature to resolve the imbalance in the country and restore people’s “utopia”.