종단한 자, 횡단한 텍스트 - 후지와라 데이의 인양서사, 그 생산과 수용의 정신지(精神誌)

Abstract

After 1945, South Korea and Japan were reconstructed as sovereign nation through the period of occupation by U.S. military. This paper examined the mechanism of self-construction and inter-relationship between two nations in terms of symbolic exchange. For this analysis, I paid attention to hikiage narratives written by Japanese people who returned to their homeland passing through the Korean peninsular. Hikiage narratives show the imagination 'on' and 'via' other. In particular, this paper focuses on the representation system of Hujiwara Tei's works, Nagareru hoshi wa ikite iru(『흐르는 별은 살아 있다(流れる星は生きている)』) and Haiiro no Oka(『회색언덕(灰色の丘)』) and probes how the experiences of old colony and the cold war were inter-linked each other. Among her works, Nagareru hoshi wa ikite iru was translated in south Korea in 1949 and became bestseller by 1950. In addition, this work has been continuously republished for a long time. To explore the situation and background of such long-term accepance and consumption of this text in South Korea, this paper examined various translated versions and re-read film script 『흐르는 별은 살아 있다』(1962) in detail. This screenplay shows how original Japanese text was transformed and reconstructed in socio-political context of South Korea. Compared to original text, invented episodes intensifying anticommunism and nationalism were inserted into film script. By analysing Hujiwara Tei's narratives crossing border between South Korea and Japan, this paper figured out cultural and political meanings of local characteristics of nation state-anticommunism linkage.