톨스토이와 도스토예프스키: 인간 고통의 두 양상
Tolstoy and Dostoevsky: Two aspects of human suffering
0
조회
0
다운로드
9
인용
0
참고문헌
키워드
초록
Since the ancient times most of the great arts was born from suffering. When the great artists are faced with suffering, they continue to show one reaction rather than being buried in it. Through their creation they overcome the suffering in order to immortalize their personal beliefs. The creative passion of the great artists which comes out in extreme suffering helps them to develop a strong will, and through it the message of salvation of mankind is implemented. The study approaches the subject of Tolstoy and Dostoevsky in terms of 'creativity and suffering' of the great artists. These two writers, despite the difference in their views of the world and the creative styles, bore their cross of the suffering and agony which is too much for one human. At that point their suffering could be a strong source of their creative, transcendental strength. In this study we compare the two characters Levin (Tolstoy’s 『Anna Karenina』) and Raskolnikov (Dostoevsky’s 『Crime and Punishment』) as a ethical subject, and examine their aspects of suffering and its meaning by which were confronted the two artists in the turning points of their lives. Prior to this we deal with the philosophical discourse of Kant and Levinas around the phenomenon of suffering and its ethical implication, as on the issue of human suffering there are close connections between the two writers and philosophers.
Abstract
Since the ancient times most of the great arts was born from suffering. When the great artists are faced with suffering, they continue to show one reaction rather than being buried in it. Through their creation they overcome the suffering in order to immortalize their personal beliefs. The creative passion of the great artists which comes out in extreme suffering helps them to develop a strong will, and through it the message of salvation of mankind is implemented. The study approaches the subject of Tolstoy and Dostoevsky in terms of 'creativity and suffering' of the great artists. These two writers, despite the difference in their views of the world and the creative styles, bore their cross of the suffering and agony which is too much for one human. At that point their suffering could be a strong source of their creative, transcendental strength. In this study we compare the two characters Levin (Tolstoy’s 『Anna Karenina』) and Raskolnikov (Dostoevsky’s 『Crime and Punishment』) as a ethical subject, and examine their aspects of suffering and its meaning by which were confronted the two artists in the turning points of their lives. Prior to this we deal with the philosophical discourse of Kant and Levinas around the phenomenon of suffering and its ethical implication, as on the issue of human suffering there are close connections between the two writers and philosophers.
참고문헌 (29)
- 강영안, "타인의 얼굴, 레비나스의 철학" (2005), 문학과 지성사
- 공병혜, "고통의 현상과 윤리적 삶, In 인문의학: 고통! 사람과 세상을 만나다", pp.129~146 (2008), 휴머니스트
- 김상봉, "호모 에티쿠스" (1999), 한길사
- 김상봉, "그리스 비극에 대한 편지" (2003), 한길사
- 김연경, "도스토예프스키와 근대 - 죄와 벌을 중심으로", 러시아어문학연구논집, (24), pp.9~38 (2007), 한국러시아문학회
- 김원한, "래프 똘스또이 작품에서의 죽음의 주제 : 소멸에서 영원으로", 노어노문학, 14(2), pp.139~159 (2002), 한국노어노문학회
- 게오르그 루카치, "소설의 이론" (1985), 심설당
- 권철근, "죄와 벌의 고통론: 라스콜리니코프의 ‘죄’와 ‘벌’", 노어노문학, 13(2), pp.281~301 (2001)
- 석영중, "톨스토이, 도덕에 미치다" (2009), 위즈덤하우스
- 소포클레스, "소포클레스 비극 전집" (2008), 숲
- 손봉호, "고통받는 인간" (1995), 서울대출판부
- 슈테판 츠바이크, "이와 도스토예프스키: 빛과 어둠의 두 초상" (2001), 자연사랑
- 아르놀트 하우저, "문학과 예술의 사회사" (1999), 창작과 비평사
- 얀코 라브린, "톨스토이" (1997), 한길사
- 조지 스타이너, "톨스토이냐 도스토예프스키냐" (1983), 종로서적
- 필립 샌드블롬, "창조성과 고통" (2005), 아트북스
- Вердяев, Н, "Философия творчества, культуры и искусства в двух томах" (1994), Искусство
- Достоевский, Ф. М, "Полное собрание сочнение в тридцати томах. Т. 6" (1973), Наука
- Мережковский, Д. С, "Л. Толстой и Достоевский: жизнь и творчество, In Л. Толстой и Достоевский. Вечные спутники" (1995), Республика
- Навоков, Владимир, "Лекции по русской литературе, пер. с англ" (1996), Независимая газета
- Толстой, Л. Н, "Собрание сочинений в двадцати томах. Т.8, 9" (1963), Художественная литература
- Фридлендер, Г, "Достоевский и Лев Толстой, In Достоевский и мировая литература" (1979), Художественная литература
- Шестов, Л, "Избранные сочнения" (1993), Ренессанс
- Beebe, Maurice, "The Three Motives of Raskolnikov, In Crime and Punishment, A Norton Critical Edition" (1964), W. W. Norton & Company, Inc
- Jackson, R. L, "The Art of Dostoevsky: Deliriums and Nocturnes" (1981), Princeton Univ. Press
- Jones, Malcolm, "Problems of communication in 『Anna Karenina』, In New Essays on Tolstoy" (1978), Cambridge Univ. Press
- Knapp, L, "The Annihilation of Inertia: Dostoevsky and Metaphysics" (1996), Northwestern Univ. Press
- Nuttall, A, "Crime and Punishment: The Psychological Problem, In Modern Critical Views: Fyodor Dostoevsky", pp.155~170 (1998), Chelsea House Publishers
- Vinokurov, V, "A Reading of Dostoevsky's The Idiot and Demons after Levinas", Russian Review, 59(1), pp.21~37 (2000)