여성과 전쟁－잡지 『여성』을 중심으로

Abstract

This study aims at examining how women was made the use and discoursing in a crisis such as the war, focused on a magazine Yeosung that published in the last colonial era. At first, Yeosung was a commercial and popular magazine which stimulates women's sexual and class desire, but from 1938 began accept the war－discourse actively like other magazines. Therefore, magazine Yeosung could reveal very well the mode of fascist logic combine with women's everyday desires. Here it shows us that capitalist desire and the logic of fascism are very friendly. And discourses of the rear guard(Chong Hoo Buin) let women accept the logic of fascism in time of war without rejection setting the rhetorics of war agoing with women's everyday life for background. This logic was accepted on a basis of gender－hierarchical rigidity constructed with a frame ignorant women and men as teacher in a enlightening form. In that process, magazine Yeosung acts out the situation in which various and different women's identities cross and articulate together. Therefore women embodies contradicting identities being required a conflicting role such as a domestic angel and labor, maker and consumer, mother and fighter. This women's confusion of identity in time of war shows that conventional rules which determinated women are very arbitrary and artificial. This can affirm through the fact that protections and criticisms are interconnected with the political and economic change in that time very closely.