1960~70년대 정현종 시와 유희적 상상력 - 김현의 정현종론을 중심으로

Abstract

Jeong Hyeonjong’s first collection of poems, ‘The Dream of Things’ (1972), has an independent status that stands out for its light language, sensuality and poetic wit in the current affairs of modernism in the 1960s. As a representative poet of ‘Literature and Intellect’, Jeong Hyeonjong continued to publish poems in ‘The Four Seasons’ and ‘68 Literature’ immediately after his debut. Around this time, Kim Hyeon’s Bachelard understanding of Jeong Hyeonjong became an opportunity to evaluate his poetry as a sophisticated spiritual play. When Kim Hyeon emphasized Jeong Hyeonjong’s poetry as a ‘high play of the spirit’, there is clearly a passage suggesting the function and type of modern poetry in the 1960s and 1970s. Kim Hyun shows the status of Jeong HyeonJong in the history of poetry as an intellectual activity that elevates a realistic idea rather than fragmenting it into an extreme of art while imagining a new concept. This article analyzes the Things Perception of Jeong Hyeonjong’s poetry in the 1970s to discuss how the idea of ​​literary autonomy, which emerged in ‘Literature and Intelligence’, is understood as a playful imagination. The process in which the imagination and image of Jeong Hyeonjong’s things are connected to the reality and criticism of ‘Literature and Intellect’, and the function of play in the chaos of Artistry and Reality in the 1970s was investigated. In the 1960s and 1970s, Jeong Hyeonjong’s playful perspective embodied through affective awareness and imagination of things is a literary view of ‘Literature and Intellect’ that seeks to dialectically overcome the new genealogy of Korean literary history and the critical difference between innocence and participation. shared and highlighted.