禪佛敎의 ‘實相’의 의미와 詩的 구현 -고려시대 禪詩를 중심으로

Abstract

Zen masters expressed their state of being spiritually awakened with a poet which makes much of implying words concisely. On this meaning, Zen Poetry was originated from Zen and Poetry. However, it is much difficult to study Zen poetry owing to the difficulty of Zen. Additionally, the study of Zen poetry requires the discernment of poet in addition to the insight of Zen. Despite of these difficulties, Yang yu(嚴羽) in Song(宋) Dynasty of China attracted attention with in-depth suggestion of the theory of Zen poetry in his book, 『Changlangsiwha』(『滄浪詩話』), and his assertion still has a great influence on the present time. However, Yang yu(嚴羽) also is criticized owing to the insufficient understanding of Zen. This plainly shows how much the insight of Zen is important in the study of Zen poetry. Accordingly, this study made a full discussion of ‘Silsang(實相)’ which are core aspects of Zen concretely at first, and then examined how it was embodied in poets by Zen masters in Goryeo(高麗) period. That is, in chapter 2, the researcher demonstrated that ‘Silsang(實相)’ are ‘the world of infinity and eternity which an existence, who realizes not only prudent persistence of external world but also deep-rooted attachment to self is nothing, freely strolls around’, and in chapter 3, the researcher confirmed that the poetic embodiment of these ‘Silsang(實相)’ is identically found in poets Jingak Hyesim(眞覺 慧諶) in the middle of Goryeo(高麗), Baekwoon Gyunghan(白雲 景閑) and Taego Bowoo(太古 普愚) in the end of Goryeo(高麗). And also this study clarified Zen poetry writers applied general poetic expression such as intuition, metaphor, symbolization, authentic precedent, and Zen poetry's unique expression like ‘Bansanghapdo(反常合道)’ in performing poetic embodiment as a means to describe the boundary of truth with written language through their own aesthetic sense, and to reduce the bad effects of written language as much as possible. In conclusion, this study made a full discussion of the meaning of 'Silsang(實相)', which are the truth of daily life and the aspect of realization, and how it was poetically embodied in poetpoetpoetpomasters in Goryeo(高麗) period. In parti, war, on the basis of understanding of ‘Silsang(實相)’ with etp, this study examined concretely how it appeared as various literary expressions in poets of smineal etpomasters in Goryeo(高麗) period.