朝鮮後期 喚醒志安의 禪詩 硏究

Abstract

This study set out to investigate the life, ideology, and poetic characteristics of Hwanseong Jian and the significance of his poetry in the history of zen poetry with his anthologies in the latter half of Joseon. An important figure in the history of Buddhism, he provided materials for zen controversy in the latter half of Joseon by publishing Seonmunojongmangyo. Having good knowledge of Hwaeomgyo study, he also expressed the world of zen realization with the “Sangjeuk” ideology of Hwaeom. As for his poetic characteristics, he maintained the legitimacy of typical zen poetry by avoiding the narration structure of post-zen vocabulary and Seoli, which was one of the flows of the times, selecting topics as direct poetic words, and adopting zen vocabulary of paradox, transcendence, and illogic. He also expressed the two states of "transcendence" and "mediocrity" at the same time by using law and teaching and described the zen and poetic taste of ascetics who had forgotten about the secular world with the Shijungyuhwa technique. He pursued a poetic perspective of pure poetic literature, which was to write a poem with pleasure and clear the temperament, in addition to the instrumental utility theory. It was one of the zen poetry trends in the 17th century. He also enriched zen poetry and the significance of its history by inheriting the zen poetry of the previous periods and creating a flow of pursuing pure literature in zen poetry further in the 18th century.