사이버 매체와 현대의 대중 서사- 매체의 변화와 타자성의 탈 주변화 과정

Abstract

Literatures and other subordinate branches utilizing cyber media which have been full-fledged since the 1990s choose methods of actively projecting their writers' desires onto others via fantasizing. Cyber literatures depend on aspects in which their writers create a third space-time dimension in fantasies and realize their desires. By restructuring frames of the genres of the existing popular literatures and adding fantasy thereto via experiments or realization of political ideologies of individuals or figuration of romantic fabrication, which solves lack of self-confidence, cyber literatures have occupied positions contrasting to the existing literatures. Texts of cyber narratives literatures show forms of literatures and cultural identities ensuing from changes of media by modifying the existing genres such as fantasy novels, martial arts novels, romance novels. etc. by adjusting thereof to Korean situations. Subordinate main cultural bodies actively express their discontent with realities, and experience exotic space and time by entering into fantasies to overcome such discontent and to escape from the routines of dailiness. This is a method of fantasizing which intentionally shows being another person by forming a ground of literature space. For this, they specifically and actively try to reform the other persons by methods such as entry into other worlds, reincarnation, substituted history, realization of political ideas, administration of nations or feudal territories, virtual realities of games, central districts of martial arts, idealized academic spaces, etc. This trend of cyber narratives texts actively confronts other persons in the relationship with them more than any existing narratives texts, and re-perceives the realities and shows strong will of reforming routines comprising such realities. It is because rediscovery of cores of epics which end up with individual growth, elements of fantasizing involved in the process thereof and being the others composing the other side of realities, and re-perception of realities generate a more universalized paradigm by crossing the border between literature and culture.