루이스 부뉴엘의 ≪부르주아의 은밀한 유혹≫에 나타난 부르주아의 모티프
The Motif of the Bourgeois Represented in Luis Buñuel's Le Charme Discret de la Bourgeoisie
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The purpose of this article is to examine the bourgeois motifs in Luis Buñuel’s Le charme discret de la bourgeoisie (1972). Since, in this film showing the rejection of bourgeois culture like in his first two films Un chien andalou (1929) and L'âge d'or (1930), the image of bourgeois is hypocritical, a fetishist, lacking in generosity or love, greedy, self-satisfied, the director’s bourgeois motif is not different from that of the 19th-century and contemporary bourgeois haters. But the way he attacks the bourgeois through dream and impulse-castration motifs, as in his first two films, shows a clear difference from the other haters. In particular, the suppers that six bourgeois try to have ten times and their delays or failures are new ways of expressing impulse and castration in that food symbolizes sex. He frequently repeats the bourgeois motif in this way because dreams make it easier to achieve his purpose of constantly destroying the bourgeois order as an artist faithful to surrealism, allowing us to look into the unconscious of human beings and reveal the bourgeoisie’s hypocrisy.
Abstract
The purpose of this article is to examine the bourgeois motifs in Luis Buñuel’s Le charme discret de la bourgeoisie (1972). Since, in this film showing the rejection of bourgeois culture like in his first two films Un chien andalou (1929) and L'âge d'or (1930), the image of bourgeois is hypocritical, a fetishist, lacking in generosity or love, greedy, self-satisfied, the director’s bourgeois motif is not different from that of the 19th-century and contemporary bourgeois haters. But the way he attacks the bourgeois through dream and impulse-castration motifs, as in his first two films, shows a clear difference from the other haters. In particular, the suppers that six bourgeois try to have ten times and their delays or failures are new ways of expressing impulse and castration in that food symbolizes sex. He frequently repeats the bourgeois motif in this way because dreams make it easier to achieve his purpose of constantly destroying the bourgeois order as an artist faithful to surrealism, allowing us to look into the unconscious of human beings and reveal the bourgeoisie’s hypocrisy.
참고문헌 (20)
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