루이스 부뉴엘의 <비리디아나>(1961)에 나타난 정신분석학적 요소들 - 지그문트 프로이트의 이론을 중심으로

Abstract

The Spanish director, Luis Buñuel’s 1961 work, Viridiana, created a sensational scandal. It was the first Spanish film to win the Golden Palm of Cannes. But it is more famous for the trials the movie has experienced. The failed charity of the protagonist, Viridiana, and the parody of Leonardo da Vinci's ‘Last Supper’ caused the Vatican to label this work with blasphemy. So the film has been banned in Spain for a long time. This study distanced itself from the evaluation of anti-Christianity or anti-Catholicism and analyzed the psychoanalytical elements inherent in the movie. There are many psychoanalytic elements in the works of Luis Buñuel, who had read Freud from his youth. But in the case of Viridiana, the research has been insignificant. Through this study, not only the obsessive compulsive disorder and the hysteria of the protagonist Viridiana, but also the scopohpilia, the fetishism and the depression of Don Jaime have been interpreted by the perspective of psychoanalysis. We think that this study contributes greatly to the understanding of the work with the breadth of Luis Buñuel’s knowledge on Freud’s psychoanalysis.