한·중·일 문인들의 ‘蘇軾’ 이미지 구축 방식과 그 문화적 함의
A Study on the Image Construction and Cultural Implications of Su-shi(蘇軾) by intellectuals from Korea, China, and Japan
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Su-shi(蘇軾) emerged as the talk of the town in the 19th century among the scholars of Joseon thanks to a heart infatuated with the Su-shi(慕蘇熱) of the Chusa Kim Jung-hee and Jaha Shin Wi, who were able to continue exchanges with Weng Fang-gang, the literati of the Qing Dynasty, through the 19th century. They celebrated Su-shi(蘇軾)’s birthday celebration in the same format as Weng Fang-gang did, which required a portrait of Su-shi(蘇軾), which led to the collection of his portraits and Su-shi(蘇軾)’s birthday celebration among the scholars of late Joseon Dynasty. Noteworthy is that Kim Jung-hee, Shin Wi and his close aides Cho Hee-ryong, Cho Myeon-ho, Kang Wi and Lee Geon-chang also actively joined the trend. This fact tells us that an event designed to commemorate Su-shi(蘇軾) is meaningful as a poetry writing group. Kim Jung-hee, Shin Wi and his students put Su-shi(蘇軾) on the front burner to fulfill their lofty tastes and, on the other hand, use him to reveal that he is different from those obsessed with the ideology of “an expedition to conquer the north.” In addition, Kim Jung-hee, Shin Wi and his students consume Su-shi(蘇軾), and these aspects are found among intellectuals based in Shanghai and Tianjin of modern China. This is a three-dimensional demonstration of Su-shi(蘇軾)’s cultural influence.
Abstract
Su-shi(蘇軾) emerged as the talk of the town in the 19th century among the scholars of Joseon thanks to a heart infatuated with the Su-shi(慕蘇熱) of the Chusa Kim Jung-hee and Jaha Shin Wi, who were able to continue exchanges with Weng Fang-gang, the literati of the Qing Dynasty, through the 19th century. They celebrated Su-shi(蘇軾)’s birthday celebration in the same format as Weng Fang-gang did, which required a portrait of Su-shi(蘇軾), which led to the collection of his portraits and Su-shi(蘇軾)’s birthday celebration among the scholars of late Joseon Dynasty. Noteworthy is that Kim Jung-hee, Shin Wi and his close aides Cho Hee-ryong, Cho Myeon-ho, Kang Wi and Lee Geon-chang also actively joined the trend. This fact tells us that an event designed to commemorate Su-shi(蘇軾) is meaningful as a poetry writing group. Kim Jung-hee, Shin Wi and his students put Su-shi(蘇軾) on the front burner to fulfill their lofty tastes and, on the other hand, use him to reveal that he is different from those obsessed with the ideology of “an expedition to conquer the north.” In addition, Kim Jung-hee, Shin Wi and his students consume Su-shi(蘇軾), and these aspects are found among intellectuals based in Shanghai and Tianjin of modern China. This is a three-dimensional demonstration of Su-shi(蘇軾)’s cultural influence.
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