대중극과 신극 진영의 교류를 통해 본 중간극의 확산과 그 의미
The meaning and the diffusion through ‘Theatrical exchanges’ between the popular drama and the realism drama in Korea
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Medium theatre(中間劇) proposed in 1937 officially, has had a major impact on the Korea theater in not only the late 1930s but also 1940. The study tries to intensively discussed about the effect and the spread of Medium theatre. Especially this study of Korean theater in 1940, is made to note the dramatic flow of current through the Korean theater. ‘Realism drama group of Korea’ and ‘popular drama of Korea’ had surpassed the previous confrontation and distinction. On the other hand, ‘Realism drama group of Korea’ and ‘popular drama of Korea’ were integrated into one theatrical troup and was already performing the interaction. These theatrical exchanges have occurred naturally due to the desire to compensate for the limitations and drawbacks of the two groups. This study examines the status ‘interaction’ of ‘Realism drama group of Korea’ and ‘popular drama of Korea’, and summarizes the changes due to the phenomenon that is spreading through Medium theatre. This historic theater research is expected to give certain suggestions for observing the drama of Korea since 1950.
Abstract
Medium theatre(中間劇) proposed in 1937 officially, has had a major impact on the Korea theater in not only the late 1930s but also 1940. The study tries to intensively discussed about the effect and the spread of Medium theatre. Especially this study of Korean theater in 1940, is made to note the dramatic flow of current through the Korean theater. ‘Realism drama group of Korea’ and ‘popular drama of Korea’ had surpassed the previous confrontation and distinction. On the other hand, ‘Realism drama group of Korea’ and ‘popular drama of Korea’ were integrated into one theatrical troup and was already performing the interaction. These theatrical exchanges have occurred naturally due to the desire to compensate for the limitations and drawbacks of the two groups. This study examines the status ‘interaction’ of ‘Realism drama group of Korea’ and ‘popular drama of Korea’, and summarizes the changes due to the phenomenon that is spreading through Medium theatre. This historic theater research is expected to give certain suggestions for observing the drama of Korea since 1950.
참고문헌 (21)
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