조선시대 경직도의 변천과 그 의미

Abstract

This article examines the transition process and meaning of pictures of tilling and weaving in the Joseon dynasty through historical records and painting materials. The review results are summarized as follows. It appears that the background to the introduction of pictures of tilling and weaving into the Joseon society is the custom of emphasizing Confucian scriptures and visualizing them, and that it was to improve agricultural technology through the application of Jiangnan Farming Methods, which were developed in China at the time. For the king, pictures of tilling and weaving were the basis (本) of discipline (修身) and a tool to declare his political ideology. King Yeongjo used pictures of tilling and weaving as a means of complementing legitimacy in the succession to the throne, and in the early days of his reign, King Gojong attempted to strengthen the foundation of royal authority by mentioning pictures of tilling and weaving. For the crown prince, pictures of tilling and weaving were utilized as important material to help him learn about the difficulties of farming and the hardships of the people. It is confirmed in Chungungilgi that the painting records used for production and ritual setting in the education lecture hall were passed down to later crown princes and used from generation to generation. The use of pictures of tilling and weaving in the royal court expanded in the late Joseon period, and according to Yun Bong-oh's Seokmunjip (poetry collection) , it was found that local officials took pictures of tilling and weaving and used them in agricultural policy. Immediately after the introduction of the Paemunjae_ pictures of tilling and weaving, the pictures of tilling and weaving were transformed into Joseon-style pictures of tilling and weaving, in which scenes of farming and weaving at a farm are sequentially arranged according to the passage of twelve months of the year. These iconographic changes are also influenced by the painting style, but it seems to have originated from efforts to reorganize Wolryeong in Yegi and Binpungchilwolpyeon in Sigyeong to suit Joseon's own timeliness and custom, and such aspects can be seen in King Sukjong's Yeolseongeoje and Lee Ok's Bakcheonjip (poetry collection) . The reason why pictures of tilling and weaving were actively used in state administration beyond reconciliation shows the status that the pictures of tilling and weaving has in Joseon society.