조선후기 농가시와 경직도의 복합적 양상 비교
The comparative study of Agricultural Poetry & Farming and Weaving Paintings in late Joseon dynasty
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This paper aims at searching for the comparative features of traditional agricultural poetry and paintings in late Joseon dynasty. Korean traditional culture shows a lot of agricultural things because main economy was based on agriculture from the ancient. So most of all agricultural poetry and paintings are remained as a representative heritage. At first agricultural poetry and farming and weaving paintings are inspired by the life of a peasant though, mostly noble family enjoyed that kinds of works. Specially paintings took a role as a teaching picture for king, which model the previous ideal pictures. Agricultural poetry show various genres though, these poetry and paintings share a common features that complete artificial result from the distance of esthetics. After the 18th century, most of works had a tendency to focus on realistic country living. In the case of painting, first example show the reorganization of the original piece, Peiwenzhai Farming and weaving paintings(佩文齋耕織圖) which was spreaded from Ching China. And also there are special genre painting that invent creative features based on real life, or folk paintings. In the case of poetry, typical agricultural works likes Tamjin-nongga(耽津農歌) show realistic farming story, and Nongga-wolryonga(農家月令歌) is famous for its massive information about agriculture with more popularized genre. Agricultural poetry and farming and weaving paintings in late Joseon have the common things that mixed the perspective of the upper class and the real acting of the lower class. And such a specific character lead to the complexity of the works which appeared as a individual speciality.
Abstract
This paper aims at searching for the comparative features of traditional agricultural poetry and paintings in late Joseon dynasty. Korean traditional culture shows a lot of agricultural things because main economy was based on agriculture from the ancient. So most of all agricultural poetry and paintings are remained as a representative heritage. At first agricultural poetry and farming and weaving paintings are inspired by the life of a peasant though, mostly noble family enjoyed that kinds of works. Specially paintings took a role as a teaching picture for king, which model the previous ideal pictures. Agricultural poetry show various genres though, these poetry and paintings share a common features that complete artificial result from the distance of esthetics. After the 18th century, most of works had a tendency to focus on realistic country living. In the case of painting, first example show the reorganization of the original piece, Peiwenzhai Farming and weaving paintings(佩文齋耕織圖) which was spreaded from Ching China. And also there are special genre painting that invent creative features based on real life, or folk paintings. In the case of poetry, typical agricultural works likes Tamjin-nongga(耽津農歌) show realistic farming story, and Nongga-wolryonga(農家月令歌) is famous for its massive information about agriculture with more popularized genre. Agricultural poetry and farming and weaving paintings in late Joseon have the common things that mixed the perspective of the upper class and the real acting of the lower class. And such a specific character lead to the complexity of the works which appeared as a individual speciality.
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