프랑스 애니메이션의 작가주의 -애니메이션 「벨빌의 세쌍둥이」 중심으로-
A Study of French Animation Auteurism - Focus on <Les Triplettes De Belleville>
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Sylvain Chomet‘s 「Les Triplettes De Belleville」is great implication as politique des auteurs. it shows advanced direction of feature-length animation production in korea. Actually the reality of production in Korea have to have various contents animation as low budget production. In order to make feature-length animation based on auteurism, The auteurism is power to persevere future for animation field.
Abstract
Sylvain Chomet‘s 「Les Triplettes De Belleville」is great implication as politique des auteurs. it shows advanced direction of feature-length animation production in korea. Actually the reality of production in Korea have to have various contents animation as low budget production. In order to make feature-length animation based on auteurism, The auteurism is power to persevere future for animation field.
참고문헌 (9)
- Kit Labouring, "The Animation Book" (1998), Three rivers press
- 배상준, "유럽애니메이션 대표작가24인" (2006), 쿠북
- 김경융, "기호학 이란 무엇인가" (1994), 민음사
- 츠카모토 히로요시, "캐릭터디자인" (2001), 비비컴
- 로버트 랩슬리, "현대영화이론의 이해" (1998), 시각과 연어
- 이용관, "영화작가주의 역사와 실천" (1997), 집문당
- 안종혁, "Let’s make 애니메이션", 시공사
- 김영진, "영화의 작가에 대한 연구" (1993), 중앙대학교 대학원
- 홍일양, "애니메이션 영상에 나타난 캐릭터 유형에 대한 기호학적 접근" (2004), 기초조형학연구