조선후기 궁중 무고舞鼓 여령복식에 관한 연구

Abstract

In this study, Moogo 舞鼓’s transformation process, which was performed for a long time from Sukakjeongjae 俗樂呈才 in the Goryeo Dynasty to Hyangakjeongjae 鄕樂呈才 in the late Joseon Dynasty and the purpose is to examine the types, changes, and characteristics of the costumes for the Moogo Yeoryeong ⼥伶’s costumes. First, Moogo originated when Goryeo the prime minister 侍中 Leehorn 李混(1252~1312) was demoted in the Yeongghyae area of Gyeongsang-do, making and performing drums. Second, In the Goryeo Dynasty, two Yeagi ⼥妓 danced from left to right around the drum, but in the early Joseon Dynasty, eight Yeagi danced from east, west, north, and south. In the late Joseon Dynasty, four main dancers 元舞 were located in Sawou 四隅, not on all sides, and danced. The assistant dancer 挾舞 waited in the back or danced around the main dancer. Third, The main dancers and assistant dancers wore Jeongjae Yeoryeong basic costumes (a flower crown 花冠, Hwangchosam (黃綃衫, an upper garment), Dae (帶, sash), Hongchosang (紅綃裳 red silk apron-like skirt), Chorokhye (草綠鞋 grass green leather shoes)) in the Wonhaengeulmyojeongriuigwe in 1795, Mujinjinchanuigwe in 1868, Gyeyoojinchanuigwe in 1873, and Sinchukjinyeanuigwe in May 1901. In 1829, the outer clothes of the four main dancers were changed from Hwangchosam to blue·red·black·green Dansam 單衫. Fourth, In 1877, Jeongchukjinichanuigwe recorded the black Gweja as the yellowish green [柳綠色] Gweja. It was handed down to the last Jinchan in November 1902. 《Musinjinchandobyeong》, 《Jeonghanjinchandobyeong》, 《Sinchukjinchandobyeong》, 《Sinchukjinyeandobyeong》, 《Iminjinyeandobyeong》, it can be seen that Moogo Jeongjae Yeorieng wore Gweja.