1920년대 전반기 이광수 문학에 나타난 문화담론 연구 - 『개벽』과 『조선문단』을 중심으로 -

Abstract

Aim of this dissertation 1920's Lee Guang-Su's cultural discussion leads and relation with the media is to try to observe the aspect which becomes known. This research 1920's his cultural discussion to kick from literary world and under to reveal meaning the possibility will be. 1920's <Gaebyuk> where is a central media was the space where forms a cultural discussion. <Chosunmundan> was the space where as literature practices a cultural discussion. In <Gaebyuk>, it insists on the revision through the direction in which it advances of the colony shipbuilding worker and culture through <the national reorganization argument>(민족개조론). And in <Chosunmundan>, it used as the space in which it practices the culture discussion with a novel and critique. His discourse was to educate elite audiences loaded in <Gaebyuk>. The discourse loaded in <Gaebyuk> was that it is for a communicaion with an audience. A novel and the critique loaded in <Chosunmundan> are to rally an audience. That is, <Chosunmundan> acted as the space in which it can practice his the culture discussion. After all, his the cultural discussion meaning can be obtained from the cross relation between <Gaebyuk> and <Chosunmundan>, that is a media, in 1920's. This is not planned in order to exclude the proletarian literature but it is the discussion formed in the direction finding process where the Chosun nation can go forward in the situation of in 1920's.