1930년대 전반기 이광수의 만주 인식과 민족 담론

Abstract

This paper is the purpose to look into the relationship between the manju awareness and the race discussion In the literature of Lee Gwang-soo of in 1930s. In 1930s, the manju patterning in the manju text of the second middle part Lee Gwang-soo was closely related with to the manju policy caused due to the political dynamics of China and Japan and was found. In 1930, there was the national discussion and interaction which the found in the leading article of the manju policy of the either before or after and Lee Gwang-soo logic of the manju discussion is the ill-posedness formed by the premise based on the culture at that time. These awarenesses found in the manju-related leading article of Lee Gwang-soo could confirm that visual angle as his journalist and the association at that time nationalism point of view which was correlated and they were found. [Sambong’s home] reappears the severity of the situation by the contradiction of the system and contradiction of the political economic structure, Sambong doesn't go forward from the eventuality of the prologue to the communism. The logic will be able to interpret in the relationship with the formed race discussion while it of Lee Gwang-soo selecting the nationalism emphasizes the ill-posedness at that time. The manju shows that logic of the imperialism which the manju as to it, induced to the space of the pathfinding and space of the possibility in this account of travels prologue to the slogan called 'the Oh harmony' to the colony shipbuilding workers is the virtual image. In short, the manju awareness found in Lee Gwang-soo, in 1930, the manju text of the either before or after could confirm to Manchuria was not converted to TRUE systemic to the start point, in addition be made in the relationship with the race discussion formed based on the culture of the day.