문곡 김수항 즉흥시의 양상과 그 의의

Abstract

This paper is an examination of Mungok Kim Soo-hang’s improvised poem. He is a Noron bureaucrat and literary man who was active in 17th century Korean politics. He is the grandson of Sanghun Kim and the father of Nongam Changhyup Kim and Samyeon Changheup Kim. At the age of 44, Mungok went through Uuijeong and Jwauijeong, then went up to Yeonguijeong and was active in politics for 10 years. Mungok, who was literary accredited as he became a major scholar at the age of 33, also mentions his literary talent in his graduation record, which was included in “Sukjongsilokboyu”. Mungok left 1,000 Chinese poems and lived for 60 years, but his literary research is still unprecedented. There are several reasons for paying attention to the poetry in the poems that Mungok left behind in this sentence. First of all, in the “improvised poem”, of the 1032 Chinese poems left by Mungok, 106 are due to the large amount of poetry. Secondly, it is because of the self-reliant aspect and on-site nature of the poetry. Since the poetry is created straight from the author's momentary poetry, it is the genre in which the author's literary ability can be best confirmed. I’ve looked at Mungok's improvised poem from the perspective of the on-site imprint and the eruption of emotions. Through this, I was able to find som points that Mungok created poetry that was natural for poetry creation and aimed at the free expression of emotions. However, it is lacking in that it could not handle Mungok's poetry works in general, and that it was not able to clarify the distinction between the poetry works of other writers.