古典詩歌와 패러디－朝鮮 後期 古典詩歌를 중심으로－

Abstract

This paper examines the parodic being aspects of Gojeonsiga(古典詩歌), keeping the parody concept of a general concept in mind. Particularly, pay attention to Gojeonsiga of the late Chosun: Hansi(漢詩)Sijo(時調)Kasa(歌辭)Chabga(雜歌), etc. At this time, Gojeonsiga was accomplished the cultural progress of among the genres or among the works, from a linguistic expression through the musical change. In the late of Chosun, Hangyuja(享有者) imitated and took from the original version and was flexible the change at will and was possible it, then. Consequently, parodic aspects of Gojeonsiga are not “western's style of parody”, but “recontextualization of the original version” through the friendly relationships and “harmony”(和) according as the relationships are a cultural discourse of complementarity－that is, it contains the spirit of the times(the late Chosun) and the characteristic(a cultural discourse of complementarity), not “against” of western's style of parody. Finally, Gojeongasa of the late Chosun is developing to the modern as the sign of a reform.