현대시의 고려 가요 패러디의 양상과 담론-<가시리>, <만전춘 별사>, <한림별곡>의 패러디 시를 중심으로
The Parody Aspects of Koryo-gayo(高麗歌謠) in Modern Poetry - the parodies from 「Gasiry」, 「Manjeonchun Byolsa」, and 「Hanlimbyolgok」
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This study deals with the parody aspects of Koryo-gayo(高麗歌謠, i. e. the popular songs in Koryo dynasty) in modern poetry and its discourse to examine the dialogical connection between classical literature and modern literature. The study is investigating modern poems which is parodying 「Gasiry」, 「Manjeonchun Byolsa」, and 「Hanlimbyolgok」 among the popular songs in Koryo dynasty. The results of study can be categorized followings: the research finds out three aspects of parody through the examples of modern poems; the first case selects the elements of original text and converses the discourse of it. ; the second case modifies the original text and actualizes the discourse of it by connecting with social context. ; the third case parodies critically the original text and makes a new discourse by reversing the discourse of it. But the forth case, which parodies the original text critically and breaks up the dominating discourse of it, cannot be found.
Abstract
This study deals with the parody aspects of Koryo-gayo(高麗歌謠, i. e. the popular songs in Koryo dynasty) in modern poetry and its discourse to examine the dialogical connection between classical literature and modern literature. The study is investigating modern poems which is parodying 「Gasiry」, 「Manjeonchun Byolsa」, and 「Hanlimbyolgok」 among the popular songs in Koryo dynasty. The results of study can be categorized followings: the research finds out three aspects of parody through the examples of modern poems; the first case selects the elements of original text and converses the discourse of it. ; the second case modifies the original text and actualizes the discourse of it by connecting with social context. ; the third case parodies critically the original text and makes a new discourse by reversing the discourse of it. But the forth case, which parodies the original text critically and breaks up the dominating discourse of it, cannot be found.
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