廉想涉 小說의 對話技法 硏究 －前期 長篇小說의 對話를 中心으로－

Abstract

The purpose of this paper is to examine the literary style of Yum, Sang Sub' novel. Yum, Sang Sub was the Realistic novelist whose resistance against the Japanese colonial rule was realized in his fiction. And his rebellious spirit reached the very summit in his four novels like <Love And Crime(사랑과 죄)1926>, <Three Generation(삼대), 1931)>, <The Fig Tree(무화과)1932>, <A White Dove(백구) 1933>. So the results of analyzing the literary style of the text can be verified the hypothesis which a tone is not only the important work but also one of series novels <Love And Crime1926>, <Three Generations)>, <The Fig Tree> and <A White Dove) 1933>. The narrative fiction should have a structure and an various aesthetic element. It must, of course, stand in recognizable relation to life. Such novelist as Yum Sang Sub, offers less a relation than a world in its entirety. Especially, Yum Sang Sub has such a way to create the tone which is recognizable as criticizing the characters of antagonist. I examined Yum Sang Sub' understanding about the Ironical style. The tones have six types. They are sarcastic tone, denial tone, ridicule tone, sardonic tone, joke tone, unreasonableness tone. I scrutinized such organizing elements of Yum's fiction as a style. In this paperer I considered the Ironical tone between sympathizer and socialist as one of the most important problems in Yum's novels. For the first time in this contemporary Korean novels, Yum Sang Sub created unique style as a tone which the author expresses his deep feeling. And as a matter of fact, in the novels, the strong tone like denial tone, ridicule tone, sardonic tone do not accord to his original intention. Yum Sang Sub did not want use tones as a fight but harmony. Of course, I can discern in such ironic tone which also strengthens nov- elistic realism. In conclusion, I empathized that Yum Sang Sub's style is not only the significant novel but seeking harmony. Yum Sang Sub as novelist use ironical tones as his characteristic technical device which is indispensable for his realism.