염상섭 장편소설『二心』연구
The Study of ‘ I-sim’, Yum Sang Sub’s Novel
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This thesis is trying to analyze the Yum Sang Sub’s novel(I-Sim), it’sfocused on love motive by narrater. The narrator of this text developed astory to compare love lines between Chungyung and Changho alsobetween Yong-ae and Changho. So main story line is a kind of love story. Love affair between Chungyung and Chawya contains some elements oflove as dignity, shyness, shame which Chungyung want to hide. That isalso an evidence of love story. According to title, the double mentality is affected her in two ways. Thepangs of conscience should not control fallen desire. But It fell her intodeeper depravity. Most of characters around Chungyung are so called vulgar persons. Bythe way, her smoldering resentment burst into flame. As a result,Chungyung was on the brink of ruin by Changyu, Jawya and Changho. And It was nothing but a reflection of phases of the times. In modernworld, main characters practiced their desire as a value of modern world,then Chungyung became a slave of money and sex. Some discussions above means 〈I-Sim〉is a kind of love story withrealism novel not a popular novel. I would say that this text is love story than popular novel. Because the author did not adjust his opinions andbehavior to please public readers. So〈 I-Sim〉is a kind of love story of therealistic method. Because the love motive is main episode. Also there are some new ways to analyze this text. Reanalyzing ironicalcharacter who the more he want to resist against depravity, the deeper itleaded her into depravity. But love affair between Changho and Yong-aeshows us a positive aspect of this text for the future.
Abstract
This thesis is trying to analyze the Yum Sang Sub’s novel(I-Sim), it’sfocused on love motive by narrater. The narrator of this text developed astory to compare love lines between Chungyung and Changho alsobetween Yong-ae and Changho. So main story line is a kind of love story. Love affair between Chungyung and Chawya contains some elements oflove as dignity, shyness, shame which Chungyung want to hide. That isalso an evidence of love story. According to title, the double mentality is affected her in two ways. Thepangs of conscience should not control fallen desire. But It fell her intodeeper depravity. Most of characters around Chungyung are so called vulgar persons. Bythe way, her smoldering resentment burst into flame. As a result,Chungyung was on the brink of ruin by Changyu, Jawya and Changho. And It was nothing but a reflection of phases of the times. In modernworld, main characters practiced their desire as a value of modern world,then Chungyung became a slave of money and sex. Some discussions above means 〈I-Sim〉is a kind of love story withrealism novel not a popular novel. I would say that this text is love story than popular novel. Because the author did not adjust his opinions andbehavior to please public readers. So〈 I-Sim〉is a kind of love story of therealistic method. Because the love motive is main episode. Also there are some new ways to analyze this text. Reanalyzing ironicalcharacter who the more he want to resist against depravity, the deeper itleaded her into depravity. But love affair between Changho and Yong-aeshows us a positive aspect of this text for the future.
참고문헌 (20)
- 염상섭, "염상섭 전집", pp.1~326 (1987), 민음사
- 염상섭, "염상섭 전집", pp.145~ (1987), 민음사
- 염상섭, "염상섭 전집", pp.59~ (1987), 민음사
- 김경수, "염상섭의 통속소설 연구", 서강어문, 11, pp.111~123 (1995), 서강대학교 서강어문학회
- 김경수, "염상섭장편소설의연구", pp.150~155 (1999), 일조각
- 김동환, "한국소설의내적형식", pp.80~ (1996), 태학사
- 김원우, "횡보눈과길, In 염상섭문학의재조명", pp.266~267 (1999), 새미
- 김윤식, "염상섭연구", pp.603~606 (1986), 서울대출판부
- 김종균, "염상섭연구", pp.141~143 (1974), 고대출판부
- 김종균, "〈이심〉과〈취우〉의 상황적 갈등구조, In 염상섭소설연구", pp.251~ (1999), 국학자료원
- 김학균, "염상섭소설다시읽기", pp.52~63 (2009), 한국학술정보
- 서종택, "한국근대소설의구조", pp.123~ (1982), 시문학사
- 송하춘, "염상섭의 초기 창작방법론", 현대소설연구, (36), pp.59~73 (2007), 한국현대소설학회
- 염상섭, "염상섭 전집", pp.314~315 (1987), 민음사
- 이덕화, "염상섭의 작품을 통해서 본 신여성에 대한 오인 메커니즘", 현대소설연구, (28), pp.55~76 (2005), 한국현대소설학회
- 이보영, "세속적인언어세계와침묵의의미", 문예연구, (여름), pp.211~216 (1999)
- 이정옥, "권위적 서술과 여성인물의 형상화, In 현대소설시점의 미학", pp.246~ (1996), 새문사
- 움베르토에코, "이야기속의독자", pp.87~ (2009), 열린책들
- 최혜실, "한국현대소설의이론", pp.161~170 (1994), 국학자료원
- 한국문학평론가협회, "문학비평용어사전", pp.1022~ (2006), 새미