李漢鎭 編 「靑丘永言」의 특성 탐색

Abstract

This paper searched the characteristics of ‘Chung Ku Young Un'(靑丘永言), which is song collection, editted by Lee Han Jin in the early 19th. So, history of song collection in the early 19th is views. Because Lee Han-jin had formed the blood relationship and in- lawship with the Kims of Andong which is the greatest decent family of the time, he learned melody from Hyohyojae Kim Yong-gyeom(金用謙) who is his teacher and played with Yeonamilpa(燕巖一派). He playing a bamboo flute and singing mingled had been revealed in the taste field for the arts. This confirmed his musical capabilities. When Lee Han-jin(李漢鎭) got to be 60 years old, he retired to hermitage in Yeongpyeong(永平). The work that Lee Han-jin finally devoted himself to was to edit his own Song collection(歌集). Lee Han-jin Collection Cheongguyeongeon(李漢鎭編 靑丘永言) charged it does not make the music classification, it was difficult to find rules in the intrinsic. this Song collection(歌集), however, is presumed to appear between Ujo(羽調) and Kemyonjo(界面調) alternately throughout symptomatic reading(徵候發見的 讀解). Also, The reason why many changed in the lyrics than other Song Collection(歌集)s is presumed through the musical abilities of Lee Han-jin(李漢鎭) that can take advantage of the saddest tune. It is thought that ‘Lee Han-jin Collection Cheongguyeongeon' is not the song collection to arrange his personal musical life but the song collection to edit that sing a song(時調) in the art field. Also, Lee Han-jin Collection Cheongguyeongeon(李漢鎭編 靑丘永言) is a work bearing marks of labor and effort.