18세기 말~19세기 초 歌集 편찬과 악곡 변화의 특징적 국면 - 가람본 [靑丘詠言]을 대상으로

Abstract

The purpose of this article is intended to clarify the characteristics of Gagok culture from the late-18th century to the early-19th century after studying the system of Garambon[Bibliotheca Garam] Chungguyeongeon(Chungyeong). Features of Chungyeong are the multiple prefaces no other songbook has been recorded. And it reflected more early time’s music systems than 19th century when collections of songs was compiled. In spite of these features, Chungyeong has not studied due to the difficulty of interpretation. Perhaps, by such features, it is recognized as a unusual collection of songs compared with other collections. Brief explanations of the features of Chungyeong are as follows. First, Chungyeong follows Jinbon[珍本] Chungguyeongeon in name and the system of collection of songs but it was not nearly influenced by Kim Cheontaek. Second, it shows intentions which had collected more pre․postfaces and musical records than other collections. Third, Chungyeong is estimated to be compiled in mid-19th century, but a tonal distribution characterized of the time-Woo-jo and Gyemyoun-jo, settling two musical tones-does not appear. Fourth, there was high probability of singing Joongdaeyeop without extinction because the Joongdaeyeop had been increased. Fifth, there are many compiler's efforts to supplement the works of the Yisakdaeyeop items constantly. At last, Nong․Nak․Pyeon had been divided, but they did not completely settled in Gagok Hanbatang repertoire. Thus, the currently passed down Chungyeong was compiled in mid-19th century, but it is reflected various changes and unique features of the Gagok culture from the late-18th century to the early-19th century well.