여성 소설에 나타난 獵奇的 想像力 樣相硏究 - 편혜영 김사과를 중심으로 -

Abstract

In this paper, the aspects of grotesque imaginations in Pyeong Hye-yeong's early work [Aoi Garden] and [Toward the Breeding Farm] and Kim Sa-gwa's [Yeong-ee] with prominent hardcore characteristics will be examined and the meanings will be sought. In the case of Pyeon Hye-yeong, diverse mechanisms that may be called hysteria such as smell, description, sound, and obsession have been used in novels. In this paper, Pyeon Hye-yeong's novels were examined centering on 'corpse (the dead)' in particular. In the novels, 'corpses' are at the center of 'dirty' stories to the extent that it seems to be an intentional strategy and are beings that dominate the living and overthrow the existing order of the real society. This paper began with the expectation that in the process of analyzing the attitude of the writer to depict and employ corpses, an opportunity to go beyond the existing evaluation that her attitudes are provocative and aggressive and newly illuminate the writer's world view. As a result of analysis, the fact that 'corpses-the dead' are playing the pivotal role of connecting between the present and the past, and between phenomena and fantasies, and are devices that reveal the undifferentiated world view of the writer. In Kim Sa-gwa's [Yeong-ee], it is not possible from the beginning, to identify the cause of the anger that the character emits, nor is the intention of the author relevant to it. Greimas defines the dictionary meaning of anger as “rough dissatisfaction accompanying rowdiness”, and explains that rowdiness is placed later than anger to accompany anger and frustration precedes anger. I thoroughly analyzed the aspects of the anger of the characters going toward thorough catastrophes and analogized what would follow the catastrophes.