1950년대 북한 전쟁시의 개작 양상 연구: 안룡만의 전쟁시 개작 과정을 중심으로

Abstract

This article aims at considering which aspect the North Korean’s perceptionof the Korean War has in the North Korean War poetry in the 1950s and howit has bee changing to. As the present North Korean’s perception of the KoreanWar has been established since the 1960s, it was different with that time duringthe war or after the cease-fire. The North Korea has been changing their perceptiondepending on the internal and external political situation and conditions in notonly the beginning of the 1950s when the Korean war was going on but also afterthe ceases-fire. What is remarkable is in that such aspect of change in perceptionhas been reflected intact on the North Korean War poetry. So, this paper tried to review the progress through the analysis of the adaptingcourse in An ryong-man’s war poetry. It can be said primarily two kinds as asignificant aspect of change in the adapting progress of An ryong-man’s war poetry. Firstly, it is a change of prescribing the war’s character. In the beginning of “openwar”, the North Korea defined the Korean war as a rebellion, but defined it asa fight between the imperialist camp and the peace-loving democratic camp afterAmerica’s entry into the war; anti-imperialistic peace-protecting war. Secondly,it is a change of an ideological pivot for war fighting. As all war do, also theKorean War required absolutely a symbol which was directly linked with a greatcause of participation in the war for making the soldier’s devote to a battle that divides them into life and death. The nominal symbol of such self-annihilationfor the sake of their country was focused on just one person, the Duce in theworks that were published in the beginning of the war, on the other hand, it waschanged to the party during the adapting progress after the cease-fire.