고려 <귀호곡>과 종묘제례악 <형가>의 관계

Abstract

Gwihogok(歸乎曲) is one of Korea old traditional song(Gayo, 歌謠) which might be composed in Goryeo Dynasty. Its lyric and music have been written in Akjanggasa(『樂章歌詞』), Akhakpyungo(『樂學便考』) and Siyonghyang-akbo(『時用鄕樂譜』). This music must be handed down to some musics in Joseon Dynasty. This paper is studied how Gwihogok is transmitted into Joseon music, especially in Jongmyojeryeak(宗廟祭禮樂) through the comparison music of Kwihogok with those of Hyungkwang(King Sejong in Joseon) and Hyungga(King Sejo) in Jongmyojeryeak(Botaepyung). This Hyungga is passed down and performed until now. Hyunggwang was played as one of Hoyryeak which was played as ritual music when Executives gathered altogether in palace. Hyungga, which was composed in King Sejo by extracting the melody from Gwihogok and adding new lyrics on it, was played in Jongmyojerye. Hyungga is handed down as written in music score of Daeakhubo, Sogakwonbo, Siyongmubo and Akjangyoram. Similarly, It is found that Yunghwa, Youngkwan, Hyukjung and Chongyu are excerpted from Pungipsong, Seokyungbyulgok, Manjeonchun and Chongsanbyulgok, respectively in part or all. From this research it is proved the origin of Hyungga from Gwihogok(Gasiri).