국립중앙도서관 소장 <왕회도(王會圖)> 병풍의 제작 시기 추정 - 정전(正殿) ~ 상월대를 향한 계단 위 인물들의 복식과 의물 도상 분석을 중심으로-
A date for the Wanghoedo in the National Library of Korea collection : focusing on the iconography of costume and ritual items
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Wanghoedo (Envoys Paying Tribute to the Court) is an illustration of envoys from various countries paying tribute to an emperor originated from an anecdotes of legendary Chinese emperors receiving foreign envoys. It is known to have first painted at the request of An Sa-Go under the auspices of Emperor Taejong of Tang. In China, Wanghoedo was continuously painted from Ming to Qing Dynasty. In Joseon, Wanghoedo was established as one of subjects for the royal folding screens during the era of King Jeongjo and Sunjo and had developed into various forms. Yet, the exact time of the production of the remaining individual screens has not been determined. The purpose of this paper is to estimate the timing of the production of Wanghoedo titled 'Jinasashin Joseonguk Ahyun Hoedobyung' housed in the National Library of Korea (NLK Wanghoedo), which was estimated to have been produced during the Korean Empire but has not been proven clearly, by analyzing the costumes worn on the figures in the painting. To this end, it was compared and analyzed with other Wanghoedo screens that remain and paintings with significant link. In NLK Wanghoedo, unlike other Korean Wanghoedo, envoys from Wolsang family tributing a white pheasant was depicted as a Qing envoy, Western envoys arrived right in front of the emperor's podium, a number of royal guards was increased in double, and ritual objects were exalted to the imperial level. The costumes worn on the figures reflected the rapidly changing diplomatic conditions during the Korean Empire. In addition, the presence of the red green-plum blossoms on the back of a pine tree and a bizarre rock, use of cobalt pigment, and reduced body proportions of the figures helped to assume the artifact dates from the time of the Korean Empire.
Abstract
Wanghoedo (Envoys Paying Tribute to the Court) is an illustration of envoys from various countries paying tribute to an emperor originated from an anecdotes of legendary Chinese emperors receiving foreign envoys. It is known to have first painted at the request of An Sa-Go under the auspices of Emperor Taejong of Tang. In China, Wanghoedo was continuously painted from Ming to Qing Dynasty. In Joseon, Wanghoedo was established as one of subjects for the royal folding screens during the era of King Jeongjo and Sunjo and had developed into various forms. Yet, the exact time of the production of the remaining individual screens has not been determined. The purpose of this paper is to estimate the timing of the production of Wanghoedo titled 'Jinasashin Joseonguk Ahyun Hoedobyung' housed in the National Library of Korea (NLK Wanghoedo), which was estimated to have been produced during the Korean Empire but has not been proven clearly, by analyzing the costumes worn on the figures in the painting. To this end, it was compared and analyzed with other Wanghoedo screens that remain and paintings with significant link. In NLK Wanghoedo, unlike other Korean Wanghoedo, envoys from Wolsang family tributing a white pheasant was depicted as a Qing envoy, Western envoys arrived right in front of the emperor's podium, a number of royal guards was increased in double, and ritual objects were exalted to the imperial level. The costumes worn on the figures reflected the rapidly changing diplomatic conditions during the Korean Empire. In addition, the presence of the red green-plum blossoms on the back of a pine tree and a bizarre rock, use of cobalt pigment, and reduced body proportions of the figures helped to assume the artifact dates from the time of the Korean Empire.
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