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조선시대 스란치마 연구

A Study on the Seu-ran Skirt during the Joseon Period

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초록

The study aims to examine the seu-ran skirt during the Joseon period. The seu-ran skirt is described as a ceremonial skirt featuring seu-ran patterns, which were a horizontal decoration in the knee area or at the bottom. A two-tier seu-ran was called a ssang-seu-ran or a dae-ran. This study focuses on comparing the form of seu-ran skirts and seu-ran patterns in the Ming period and the Joseon period, and examining their characteristics in the different periods. Looking at the seu-ran skirt in the Ming period, the one-tier seu-ran skirt had decoration at the bottom of the skirt, while the two-tier seu-ran skirt had ornamentation in the knee area or at the bottom. Seu-ran patterns found in the seu-ran skirt in the Ming period include animal patterns such as phoenix patterns, giraffe patterns and dragon patterns, in addition to treasure patterns and floral patterns. As for the seu-ran skirt in the Joseon period, the hemline was placed in the knees and at the bottom in the mid-Joseon period before being arranged at the bottom of the skirt in the late Joseon period. The color of seu-ran skirts in the Joseon period included scarlet, dark blue and violet reddish. Seu-ran patterns found in seu-ran skirts in the Joseon period include patterns featuring images of children in the 16th century, patterns featuring images of children, phoenix patterns, giraffe patterns and patterns of birds and flowers in the 17th century, and dragon patterns, phoenix patterns and patterns featuring Chinese characters and flowers in the 19th century and in the 20th century. In the mid-Joseon period, seu-ran patterns were mostly gold thread patterns, while gilt patterns dominated in the late Joseon period.

Abstract

The study aims to examine the seu-ran skirt during the Joseon period. The seu-ran skirt is described as a ceremonial skirt featuring seu-ran patterns, which were a horizontal decoration in the knee area or at the bottom. A two-tier seu-ran was called a ssang-seu-ran or a dae-ran. This study focuses on comparing the form of seu-ran skirts and seu-ran patterns in the Ming period and the Joseon period, and examining their characteristics in the different periods. Looking at the seu-ran skirt in the Ming period, the one-tier seu-ran skirt had decoration at the bottom of the skirt, while the two-tier seu-ran skirt had ornamentation in the knee area or at the bottom. Seu-ran patterns found in the seu-ran skirt in the Ming period include animal patterns such as phoenix patterns, giraffe patterns and dragon patterns, in addition to treasure patterns and floral patterns. As for the seu-ran skirt in the Joseon period, the hemline was placed in the knees and at the bottom in the mid-Joseon period before being arranged at the bottom of the skirt in the late Joseon period. The color of seu-ran skirts in the Joseon period included scarlet, dark blue and violet reddish. Seu-ran patterns found in seu-ran skirts in the Joseon period include patterns featuring images of children in the 16th century, patterns featuring images of children, phoenix patterns, giraffe patterns and patterns of birds and flowers in the 17th century, and dragon patterns, phoenix patterns and patterns featuring Chinese characters and flowers in the 19th century and in the 20th century. In the mid-Joseon period, seu-ran patterns were mostly gold thread patterns, while gilt patterns dominated in the late Joseon period.

참고문헌 (25)

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