본문 바로가기
KERD
논문KCI 등재

명대(明代) 곤룡포(袞龍袍) 형태 연구

A Study on the Forms of Gunlong-Pao in the Ming Dynasty

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류의상

초록

A Gunlong-Pao (袞龍袍; Gonryongpo) is a familiar dress in the royal family costume history, such that related research has been conducted in Korea and China. However, in Korea, the Gunlong-Pao was researched only to the necessary level while researching the Gunlong-pao of the Joseon dynasty. In China, the research remained a simple analysis without specifically investigating a detailed form of the Gunlong-Pao. Therefore, this study investigated the detailed form of the Gunlong-Pao during the entire period of the Ming dynasty to confirm changes by period and the commonality and difference by status. The detailed form was considered: first, analysis of whether it was single or lined clothes; second, analysis of bodice length, bust width, and sleeve length based on dimensions; and third, analysis of collar, sleeve, and Mu(擺) based on shape. The research data comprehensively utilized literature, relics, and paintings. As a result of the study, it was confirmed that the diversification of the Gunlong-Pao style and the diversification aspect of the detailed form was evident from the former period to the later period of the Ming dynasty. In particular, a Situan-Gunlong-Yuanling-Pao (四團袞龍圓領袍: robe with a round collar expressed with four dragon patterns in the winding form), which is a basic form described by the system in the former period, was maintained to the later period, but in the later period, the Gunlong-Pao to which several dragon patterns were applied appeared with numbers of patterns, such as 8, 10, 12, etc. Also, it was characterized by the appearance of the Gunlong-Pao with a straight collar(直領). The most notable point of the detailed forms was the appearance of various forms in the ‘Mu,’ which is attached separately to the waist.

Abstract

A Gunlong-Pao (袞龍袍; Gonryongpo) is a familiar dress in the royal family costume history, such that related research has been conducted in Korea and China. However, in Korea, the Gunlong-Pao was researched only to the necessary level while researching the Gunlong-pao of the Joseon dynasty. In China, the research remained a simple analysis without specifically investigating a detailed form of the Gunlong-Pao. Therefore, this study investigated the detailed form of the Gunlong-Pao during the entire period of the Ming dynasty to confirm changes by period and the commonality and difference by status. The detailed form was considered: first, analysis of whether it was single or lined clothes; second, analysis of bodice length, bust width, and sleeve length based on dimensions; and third, analysis of collar, sleeve, and Mu(擺) based on shape. The research data comprehensively utilized literature, relics, and paintings. As a result of the study, it was confirmed that the diversification of the Gunlong-Pao style and the diversification aspect of the detailed form was evident from the former period to the later period of the Ming dynasty. In particular, a Situan-Gunlong-Yuanling-Pao (四團袞龍圓領袍: robe with a round collar expressed with four dragon patterns in the winding form), which is a basic form described by the system in the former period, was maintained to the later period, but in the later period, the Gunlong-Pao to which several dragon patterns were applied appeared with numbers of patterns, such as 8, 10, 12, etc. Also, it was characterized by the appearance of the Gunlong-Pao with a straight collar(直領). The most notable point of the detailed forms was the appearance of various forms in the ‘Mu,’ which is attached separately to the waist.

참고문헌 (35)

  1. 최연주, "조선시대 곤룡포의 착용례 연구", 석사, 전통의상학, pp.2008
  2. 高光林, "袞龍袍에 關한 硏究", 仁川敎育大學論文集, 9, pp.169~192 (1975)
  3. 金美子, "袞龍袍의 形態에 對한 硏究-朝鮮王朝를 中心으로", 서울여자대학논문집, 7, pp.279~298 (1978)
  4. 擷芳主人, "大明衣冠(圖志)" (2001), 北京大學出版社
  5. 董進, "圖說明代宮廷服飾(三)-皇帝常服吉服與青服", 紫禁城, 199, pp.121~125 (2011), 故宮博物院
  6. 崔然宇, "魯荒王墓出土袍類衣服的定名及著裝順序", 形象史學與明清宮廷史學術研討會論文集 (2017)
  7. 周錫保, "中國古代服飾史", pp.386~ (1986), 中國戲劇出版社
  8. 王麗梅, "明定陵出土的服飾與明史研究", 第十三屆明史國際學術研討會論文集, pp.373~382 (2009), 中國明史學會
  9. 王秀玲, "明定陵出土帝後服飾(二)" (2009), 首都博物館
  10. 王秀玲, "略論明 代皇帝之袞服", 第十一屆明史國際學術研討會論文集, pp.444~453 (2005), 中國明史學會
  11. "尙書 卷5", ~
  12. "(明)太祖實錄卷 36下", ~
  13. "大明會典(正德本) 卷57, 冠服", ~
  14. "大明會典(萬曆本) 卷60, 冠服1", ~
  15. "明集禮 卷17", ~
  16. 李珠英, "은 『조선시대 직령(直領) 제도-조선왕조실록을 중심으로』", 복식문화연구, 8(2), pp.241~ (2000)
  17. "皇明典禮", ~
  18. "冠服制度", ~
  19. 北京市文物局图书资料中心, "明宮冠服儀仗圖" (2015), 北京燕山出版社
  20. 山東省博物館, "魯荒王墓(下)" (2014), 文物出版社
  21. "書畫典藏資料檢索系統"[URL]
  22. 楊麗麗, "一位明代翰林官員的工作履歷—<徐顯卿宦跡圖>圖像簡析", 故宮博物院院刊, 120, pp.49~ (2005), 故宮博物院院
  23. 朱鴻, "<徐顯卿宦跡圖>研究", 故宮博物院院刊, 154 (2011), 故宮博物院院
  24. 薛堯, "江西南城明墓出土文物", 考古, 1965(6), pp.319~ (1965), 中國社會科學院考古研究所
  25. 江西省博物館, "江西明代藩王墓" (2010), 文物出版社
  26. 中國社會科學院考古硏究所, "定陵" (1990), 文物出版社
  27. "(明) 太宗實錄卷141", ~
  28. 北京市昌平區十三陵特區事務處, "定陵出土文物圖典卷 1" (2006), 北京出版社出版集團ㆍ北京美術撮影出版社
  29. "益宣王"[URL]
  30. 이은주, "도포양식의 발전에 대한 갈등·기능론적 분석", 박사, 의류학, pp.1999
  31. 이주영, "조선시대 직령 연구", 박사, 가정학, pp.2001
  32. 周偉民, "浙江桐鄉濮院楊家橋明墓發掘簡報", 東方博物, 2007(4), pp.50~ (2007), 浙江省博物館
  33. 江陰博物館, "江蘇江陰葉家宕明墓發掘簡報", 文物, 2009(8), pp.30~45 (2009), 國家文物局
  34. 黃炳煜, "江蘇泰州西郊明胡玉墓出土文物", 文物, 1992(8), pp.79~ (1992), 國家文物局
  35. 南京市博物館, "明朝首飾冠服", pp.230~233 (2000), 科學出版社

관련 논문AI추천

이 간행물의 다른 논문 (7건)