일본 근대시 형성과정에 있어서의 漢詩의 위상

Abstract

All the people who engaged in “Sintaisisho(新體詩抄)”, a hymn and translation of the Bible, publication of “Shogakushokashu(小學唱歌集)” had culture of Chinese classics in the origin of the fictionization. As a result, they received the concise tone of traditional Chinese poetry. And they brought about the style of the fresh sentence that they mixed classical Chinese and an elegant style with. ‘Yuasa Hangetu(湯浅 半月)’ and ‘Doi Bansui((土井 晩翠)’ received tradition of the Western literature and expressed a person's name and the place name in a Chinese word. And they wrote the history and the figure of the hero in the long piece epic. ‘Simazaki Toson(島崎 藤村)’ which announced “Wkanasyu(若葉集)” felt a limit in the poetry of own in “Rakubaisyu(落梅集)”. Thus he borrowed the style of the sentence of later years of ‘Buson(蕪村)’. It is the sentence that Chinese poetry and pronouncing Chinese classics in the Japanese way were mixed in. ‘Nakano Shoyo(中野逍遥)’ expressed the good unique world created in a poem with Chinese poetry. The Chinese poetry footpace which assumed ‘Mori Syunto(森 春濤)’, ‘Mori Kainan(森塊南)’, ‘Kokubun Seigai(国分青厓)’, ‘Honda Shuchi(本多種竹)’ a representative greeted the heyday in ‘Meizi(明治)’ 20. However, the Chinese poetry disappeared from all newspapers for about ‘Daisyo(大正)’ six years. Generally the specialized Chinese poetry people of ‘Meizi’ did not have interchange with the new literature of ‘Meizi’. However, the Chinese poetry such as ‘Masaoka Siki(正岡 子規)’, ‘Mori Ogai(森 鷗外)’, ‘Natsume Souseki(夏目 漱石)’ had the unique world unlike a specialized Chinese poetry person.