몽환가류 불교 가사의 개방성과 작가 의식

Abstract

This dissertation is written in order to research for the empty dream song Buddhist Gasa style in two aspects. The first aspect is about the variability of empty dream song Buddhist Gasa style, the second aspect is about the basis of writer recognition in empty dream song Buddhist Gasa style. Firstly, in the aspect of the variability of empty dream song Buddhist Gasa style, there are two kinds of variability, which are the function and Gasa style. In the function of Buddhist Gasa style, there are two directions, which are the teaching Buddhism and the transfer of the soul. Secondly, In the variability of Gasa style, empty dream song Buddhist Gasa style received the paragraph of other Buddhist Gasa style works. For example, the paragraph of Amitabul chanting song Buddhist Gasa style(念佛歌類佛敎歌辭), meditation song Buddhist Gasa style(參禪曲類佛敎歌辭), Nirvana song Buddhist Gasa style works(往生歌類佛敎歌辭) were adapted to empty dream song Buddhist Gasa style in order to teach lay person much more. Thirdly, in the aspect of the basis of writer recognition, I found out the fact that there two kinds of basis which are dualistic thinking and unitary thinking. The dualistic thinking was the basis of writer recognition. In this case the writer taught people to go to Nirvana from world. Fourthly, the unitary thinking was the basis of writer recognition. In this case the writer taught people to transcend dualistic world for arriving at real Buddha world. Even though I studied the empty dream song Buddhist Gasa style in this research paper, there could be the other Buddhist Gasa style to study. I might continue researching the other Buddhist Gasa style related with this style next time in the near future, for example, the praying song Buddhist Gasa style, the recruiting cause and effect money for taking care of temple.