시의 본질론 내지 표현론의 관점에서 본 시와 성정에 관한 논의

Abstract

This paper discussed about the discourses on the correlation of the poems and seoung-jeoung [nature-emotion] The main proposition of the discourses is that a poem is gushed out from a poet's seoung-jeoung. Most of discussers have insisted on that the discourses persist in that poets must express his good ordered seoung-jeoung or morality and so it is a poetics to give the first considerration to human virtuous mind. They made a word 'seoung-jeoung theory' in Korean poetics field. This paper will interpret the discourses from a different standpoint. YEGHI-AKGHI, MOSISEU, SIJIPJUNSEU are the tipical poetics writtings in the ages of Chinese classics The discourses on the correlation of the poems and seoung-jeoung in our nation had been followed these three writtings. By the Sung Confucianism, we can understand the meaning of seoung-jeoung from two angles, the one is we seperate it seoung [nature] and jeoung [emotion] another is wholly. When we use it wholly,seoung-jeoung is another word of mind but seperately the seoung is intrinisic nature of mind and the jeoung is the moving of the seoung. In real situation we can't see how the seoung works, we can only see the phenomenon of seoung's working that is to say how the jeoung is moving and so in actually we see a poet's jeoung through his poem. And then jeoung can't be controlled or regulated at the monent of gushing out, therefore a poem expresses a poet's mind straightforwardly. A poet's mind have been changed all through his life, in other words his human nature have been changed ceaselessly through his self-examination. At the moment of gushing out a poem a poet's whole mind state be disclosureed, for this reason a poem will be a text to see a poet's mind, governed state of an age and reader himself's mind, and than it act to change an age and a man's mind.