석정 이정직 시론의 형성 과정과 문예론적 검토

Abstract

Formation Process and Literary Review on Poetics of Suckjeong Lee Jeong-jikGu, Sa-WhaeThe present study is to investigate poetics of Suckjeong, Lee Jeong-jik. For this, the author reviewed the process of his poetic formation and then its contents. Suckjeong organized his viewpoint on poems that were inhered, and then criticized them in many ways. Through a heated controversy with Maecheon(梅泉) Hwang-hyun(黃玹, 1855～1910), for example, he developed his arguments or criticized others' in many fields including the essential and creative part of what is poetry and how should it be written, or formality and inspiration inherited from the existing literary circles. Poetics of Suckjeong can be broadly classified into two areas such as the theory of essence and the theory of creative writing. The theory of essence includes the theory of nature and the theory of Shijing(詩經), while the theory of creative writing does learning theory through poetry and the art of verse making theory. He emphasized ‘nature’ for the theory of nature, the mind of ‘folk poetry’ for the theory of Shijing, the state of ‘great illumination’ based on learning for the theory of creative writing, and finally ‘the principals’ for the art of verse making, respectively.Suckjeong selected and adopted a few poetry among the existing ones inherited from the past and then integrated them depending on his ideology and viewpoint. He rejected criticism on the work itself but reviewed the essence of the poem, on which he developed his poetics. His poetics is based on ‘nature’ as well as writing and philosophy. There exists limits to his poetics by subsiding into only learning itself, leaving the swift reality of the late colonial Korea. Key wordsHaehak(海鶴) Leeg(i李沂), Maecheon(梅泉) Hwang-hyun(黃玹), Shijing(詩經), nature(性), folk poetry(國風)－이 논문은 2005년 10월 30일에 접수되어, 소정의 심사과정을 거쳐 2005년 12월 5일 게재가 확정되었음.